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| Artist: | Manet, Edouard (1832 - 1883) |
|---|---|
| Title: | The Water Drinker |
| Medium: | Drypoint |
| Image Size: | 9 1/2 in x 6 1/4 in (23.9 cm x 16 cm) |
| Framed Size: | 26 1/4 in x 24 1/2 in (66.7 cm x 62.2 cm) |
| Signed: | Signed by Edouard Manet (1832-1883) in the plate in the lower left hand corner of the work. |
| Edition: | According to J. Harris (1990), a 1st state (of 1) impression, printed after cancellation. This work was printed after the 1905 catalogue by Strölin. There was only one lifetime impression of this work. |
| Condition: | This work is in very good condition |
| Gallery Price: Item# 2886 | Sorry, this item is sold. Please visit the rest of our Manet fine art collection |
| Historical Description: | |
|---|---|
| A man dying of thirst falls to his knees and raises a jar of water to his mouth.
He appears in a desolate plot of land, with no sign of plant life nearby. Manet
contrasts horizontals and verticals, utilizing delicate strokes to distinguish
the forms of the man, the jar, and the natural landscape that surrounds him.
The vertical formation of the man stands out against the horizontal lines used
to delineate the landscape. Manet expertly conveys mountain from sky by subtly
altering the boldness and straightness of his lines. The viewer cannot be certain
of the predicament that this water drinker is in; the man appears entirely alone,
and there is a certain sense of abandonment surrounding the work. However, the
viewer shares in this moment of relief in which the man gulps down water as
it streams into his mouth, his thirst finally quenched.
About the Framing: |
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Biography of Edouard Manet
Edouard Manet (1832 - 1883)
Edouard Manet was born on January 23, 1832, in Paris. While studying with Thomas Couture from 1850 to 1856, he drew at the Académie Suisse and copied the Old Masters at the Musée du Louvre. After he left Couture’s studio, Manet traveled extensively in Europe, visiting Belgium, the Netherlands, Germany, Austria, and Italy. In 1859 he was rejected by the official Paris Salon, although Eugène Delacroix intervened on his behalf. In 1861, Edouard Manet paintings were accepted by the Salon and received favorable press, and he began exhibiting at the Galerie Martinet in Paris. During the early 1860s his friendships with Charles Baudelaire and Edgar Degas began. The three paintings Manet sent to the Salon of 1863, including Le Déjeuner sur l’herbe, were relegated to the Salon des Refusés, where they attracted the attention of the critic Théophile Thoré.
In 1865 Manet’s Olympia and Christ Mocked were greeted with great hostility when shown at the Salon. That year the painter traveled to Spain, where he met Théodore Duret. He became a friend of Emile Zola in 1866, when the writer defended him in a controversial article for the periodical L’Evènement. In 1867 Zola published a longer article on Manet, who that year exhibited his work in an independent pavilion at the Paris World’s Fair. The artist spent the first of several summers in Boulogne at this time. In 1868 two of his works were accepted by the Salon but were not shown to advantage.
The dealer Paul Durand-Ruel began buying his work in 1872. That same year The Battle of the Kearsarge and the Alabama was shown at the Salon, and Manet traveled to the Netherlands for the second time. The poet Stéphane Mallarmé, who met the artist in 1873, wrote articles about him in 1874 and 1876 and remained a close lifelong friend. Manet declined to show with the Impressionists in their first exhibition in 1874. That summer he worked at Gennevilliers and Argenteuil with Claude Monet and the following year he visited Venice. In 1876 he exhibited Olympia and two paintings rejected that year by the Salon at his own studio. From 1879 to 1882 Manet participated annually at the Salon. In 1880 he was given a solo exhibition at Georges Charpentier’s new gallery, La Vie Moderne, Paris. In 1881 Manet, then ailing, was decorated with the Légion d’Honneur. He died on April 30, 1883, in Paris. A memorial exhibition of his work took place at the Ecole des Beaux-Arts the following year.
