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Email to FriendSigned Joan Miro, Aquatint, Soleil Noye I, 1962  |
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| Artist: | Miro, Joan (1893 - 1983) |
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| Title: | Soleil Noye I, 1962 |
| Reference: | D.348 |
| Medium: | Original Color Aquatint |
| Image Size: | 23 in x 8 5/8 in (58.5 cm x 22 cm) |
| Sheet Size: | 31 1/2 in x 20 1/2 in (80 cm x 52.1) |
| Framed Size: | 44 3/4 in x 30 3/4 in (113.7 cm x 78.1 cm) |
| Signed: | Hand-signed by Joan Miró (1893 - 1983) in pencil in the lower right margin. |
| Edition: | This work is an artist's proof (from the edition of 75 numbered and signed works and some H.C. copies, signed) |
| Condition: | This work is in very good condition with bright, vibrant colors. |
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Gallery Price
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Item# 2837
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| MFA SALE | 50% Off: $10,000 |
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With its striking calligraphic and painterly qualities, Miró depicts an unconventional sunset, stirring a nostalgic appreciation for the beauty of nature. We feel as though we are witnessing a sunset or sunrise through Miró's effective minimalist depiction - a black swirling line and a streak of turquoise convey the horizon while a single blotch of orange haloed in yellow defines the sun. |
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Gallery Price: This is a common gallery retail price Read more about our pricing |
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| Historical Description: | |
| Utilizing bold color contrasts and textural elements, Miró creates a
strikingly beautiful representation of the sun. The viewer witnesses a whimsical
landscape composed of shapes and lines that gracefully dance across the page.
A dark, inky line snakes across this horizontal composition, reminiscent of
calligraphy. In contrast, a streak of turquoise, evoking the feel of paint on
canvas, dashes across the black curving lines. Two circular shapes, perhaps
representing the sun, rest on the top and bottom of the work, one a brilliant
orange and yellow and the other a vibrant pink. These suns, with their edges
blurred, appear to radiate warmth and bring to mind either a sunset or a sunrise,
capturing the moment when the sun either rises or falls above the horizon.
Created in 1962, this original color aquatint is signed in the lower right margin in pencil by Joan Miró (1893-1983). This work is an artist's proof (from the edition of 75 numbered and signed works and some H.C. copies, signed), published by Maeght, Paris and printed by Maeght, Levallois-Perret on Rives paper.
About the Framing: | |
| Style: | Surrealism, 20th Century Modern Surrealist Spanish Master |
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Biography of Joan Miro
Joan Miro (1893 - 1983)
Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.
In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. This year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography. Miro's first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936, Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year, he was commissioned to create a monumental work for the Paris World’s Fair.
Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in Miro prints and ceramics. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, he was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. He also worked with carborundum around this time. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of Miro original drawings. Joan Miro died December 25, 1983, in Palma de Mallorca, Spain.
Joan Miro prints and unique original works are commonly seen in museums and art galleries in USA and Europe.
Joan Miró created a large wool and hemp tapestry titled "The World Trade Center Tapestry" that adorned the lobby of 2 World Trade Center. It was destroyed by the collapse of the tower on September 11, 2001. ¹
Historical Joan Miró exhibitions
¹ Lives and Treasures Taken. Library of Congress.
