Miro Lithograph | Mur de la lune (Moon Wall), 1957 (Sold)
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Joan Miro, Mur de la lune (Moon Wall), 1957


Signed Joan Miro, Lithograph, Mur de la lune (Moon Wall), 1957

Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957

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Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957 (thumbnail room-view)
Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957 (thumbnail room-view)
Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957 (thumbnail room-view)
Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957 (thumbnail room-view)
Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957 (thumbnail room-view)
Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957 (thumbnail room-view)
Artist: Miro, Joan (1893 - 1983)
Title: Mur de la lune (Moon Wall), 1957
Reference: M.1711
Medium:
Lithograph with hand-applied pochoir coloring
Image Size: 29 1/2 in x 9 in (74 1/2 cm x 23 cm)
Sheet Size: 34 1/2 in x 22 3/4 in (88 cm x 54 1/2 cm)
Framed Size: 50 1/2 x 33 1/2 in (128.27cm x 85.09 cm)
Signed: Hand signed by Joan Miró (1893 - 1983) in pencil in the lower right margin
Edition: Numbered 95/300 in pencil in the lower left margin. Created after an original ceramic wall mural for the UNESCO headquarters in Paris, 1957
Condition: This work is in excellent condition
Gallery Price:
Item# 2798
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Historical Description:
One can only imagine the monumentality and grandeur of the ceramic mural featured on the building of the United Nations Educational, Scientific, and Cultural Organization (UNESCO) headquarters in Paris. Successfully translating its whimsical beauty and surrealist elegance, both Joan Miró and his friends at Galerie Maeght created an edition of 300 lithographs of the piece.

Of creating large-scale murals, Miró writes: "Mural art is the very opposite of solitary creation… While one must preserve one's personality, one must also commit it deeply to the collective aspect of the work" (as cited in Dupin, p. 474) . Mur de la lune features a controlled intensity and vibrance unlike any other mural by Miró. He creates an anchoring checkboard-like composition of red and black rectangular shapes along the bottom margin, alluding to a lightness and expanse of space above. His iconic starburst is included in the center as is, of course, the crescent moon.

Created in 1957, this color lithograph is based on an original ceramic wall mural by Joan Miró made especially for the UNESCO headquarters in Paris. Published by Maeght Editeur, Paris, this work features the embossed Galerie Maeght blindstamp in the lower left. Printed on BFK Rives watermarked paper, the work is numbered 202/300 in pencil in the lower left margin

Catalogue Raisonné & COA:
It is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work) :

1. Dupin, Jacques. Joan Miró, Life and Work, Harry Abrams, Inc. Publishers: New York. Illustrated on pg. 471 and detailed on pgs. 473-7.

About the Framing:
Conservation framed with archival materials and museum quality, this work is float mounted on archival white linen in a monumental Spanish-style gold and black frame. The sculptural details of the moulding compliment the organic elements in this piece. The contrasting tones of the moulding accentuate and enhance the lights and darks of this work. Completed with white, linen-wrapped mats and a matching gold inner fillet, this work is set behind an archival Plexiglas® cover.

Style: Surrealism, 20th Century Modern Surrealist Spanish Master

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Biography of Joan Miro

Joan MiroJoan Miro (1893 - 1983)

Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.

In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. This year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography. Miro's first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936, Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year, he was commissioned to create a monumental work for the Paris World’s Fair.

Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in Miro prints and ceramics. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, he was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. He also worked with carborundum around this time. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of Miro original drawings. Joan Miro died December 25, 1983, in Palma de Mallorca, Spain.

Joan Miro prints and unique original works are commonly seen in museums and art galleries in USA and Europe.

Joan Miró created a large wool and hemp tapestry titled "The World Trade Center Tapestry" that adorned the lobby of 2 World Trade Center. It was destroyed by the collapse of the tower on September 11, 2001. ¹

¹ Lives and Treasures Taken. Library of Congress.

Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957
Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957
Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957
Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957
Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957
Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957
Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957
Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957
Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957
Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957
Miro Lithograph Signed, Mur de la lune (Moon Wall), 1957