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Pablo Picasso, Figures, 1956

"Yet Cubism and Modern art weren't either scientific or intellectual; they were visual and came from the eye and mind of one of the greatest g… [Read biography »]

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Signed Pablo Picasso, Turned round cup; white earthenware clay, decoration in engobes and engraved by knife, paraffin, white enamel, Figures, 1956

PicassoTurned round cup; white earthenware clay, decoration in engobes and engraved by knife, paraffin, white enamel signed, Figures, 1956

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PicassoTurned round cup; white earthenware clay, decoration in engobes and engraved by knife, paraffin, white enamel signed, Figures, 1956 (thumbnail 1)
FEATURED WORK
Artist: Picasso, Pablo (1881 - 1973)
Title: Figures, 1956
Reference: AR. 356
Medium: Turned round cup; white earthenware clay, decoration in engobes and engraved by knife, paraffin, white enamel
Image Size: DIAMETER: 10 1/4 in (26 cm)
Framed Size: 21 3/4 in x 21 3/4 in (55.2 cm x 55.2 cm)
Signed: With the inscribed stamps on the underside of the base 'Edition Picasso' and 'Madoura Plein Feu'
Edition: Numbered 93/100 on the underside of the base; With hand written inscription in black on the underside, 'Edition Picasso'
Condition: In excellent condition.
Price 
:

Item# 2525
$25,500
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To speak directly with the Director, Alex Adelman, please call (510) 777-9970 / 1-800-805-7060.
 
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Description:

DISCUSSION:
Similar to its variant (please see item #1919), this original ceramic has beautiful detailed markings within its concave surface that convey the sunny and vibrant lifestyle of the south of France. Created to echo that of a large sunflower or even the sun, the bowl features a series of feminine muses that hold lush bouquets surround a bright, red center. This striking ceramic bowl comes alive with color as its dramatic Figures along the inner rim appear to dance within. Evoking a sentimental Spanish tradition, this piece would make a fine addition to any collection. The Mediterranean sun radiates it brilliant warmth to the dancing figures decorating the inner rim of the bowl. Accented by decorative engravings coupled with yellows, reds, and blacks, the colors provide an eye-catching display against the muted tones of the earthenware clay.

Created in 1956, this work is hand numbered and inscribed in black, 93/100 with 'Edition Picasso'. Inscribed with the Madoura stamps also on the underside of the bowl, 'EDITION PICASSO' and 'MADOURA PLEIN FEU'.

Illustrated in:
1. Ramié, A. (1988). Picasso: Catalogue of the Edited Ceramic Works 1947 - 1971. Madoura: Paris. Listed and illustrated as catalogue raisonné no. 355 on pg. 356.
2. Ramié, G. (1976). Picasso's Ceramics. Viking Press: NY. Listed and illustrated as catalogue raisonné no. 687 on pg. 277 (another version illustrated).
3. Texas A&M University. The Online Picasso Project. www.picasso.tamu.edu. Listed and illustrated as catalogue raisonné no. OPP.56:149.

About the Framing:
This resplendent custom frame is the perfect elegant complement to this exquisite ceramic bowl. Framing begins with white, linen-wrapped wooden liners that securely hold the ceramic in place and allow visibility in the back (to view markings). A bright gold frame encases the wood liners and highlights the gentle texture and color within the work. A heavy weight picture wire is attached to the frame to ensure a secure hanging. Due to the size and weight of this piece, we recommend using a heavy duty double nail hook with 100-150 pound weight capacity (double the weight of the piece to determine hook capacity).

Style: Cubism, Blue Period, Rose Period, 20th Century Spanish Modern Master, Madoura ceramics of Vallauris, Vollard
 
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Biography of Pablo Picasso

Pablo PicassoPablo Picasso (1881 - 1973)

"Yet Cubism and Modern art weren't either scientific or intellectual; they were visual and came from the eye and mind of one of the greatest geniuses in art history. Pablo Picasso, born in Spain, was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture.

"He was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Manet, Gustave Courbet, and Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain - all in the years 1899 to 1904.

"Before he struck upon Cubism, Picasso went through a prodigious number of styles - realism, caricature, the Blue Period, and the Rose Period. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and subjects focusing on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style is in Cleveland's Museum of Art, La Vie (1903), which was created in memory of a great childhood friend, the Spanish poet Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso's features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. Another outstanding Blue Period work, of 1903, is in the Metropolitan, The Blind Man's Meal. Yet another example, perhaps the most lyrical and mysterious ever, is in the Toledo Museum of Art, the haunting Woman with a Crow (1903).

"The Rose Period began around 1904 when Picasso's palette brightened, the paintings dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is in Washington, D.C., the National Gallery's large and extremely beautiful Family of Saltimbanques dating to 1905, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space.

"In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and fernale figures seen frontally or in distinct profile, almost like early Greek art. One of the best of these of 1906 is in the Albright-Knox Gallery in Buffalo, NY, La Toilette. Several pieces in this new style were purchased by Gertrude (the art patron and writer) and her brother, Leo Stein.

Picasso enjoyed creating his art on many media. From paintings to etchings to ceramics, all of his works are a testament to his skills. There are even Picasso prints that are worth more than a unique original work since many of his prints are so amazing.