Print Page
Email to FriendPablo Picasso, Engraving Ceramic, Profil de Jacqueline (Jacqueline's Profile), 1962  |
Place your cursor over the thumbnails below to view the full-size image:
Click each room to better visualize its scale and beauty in different contexts.:
| Artist: | Picasso, Pablo (1881 - 1973) |
|---|---|
| Title: | Profil de Jacqueline (Jacqueline's Profile), 1962 |
| Reference: | Ramié 457 |
| Medium: | Turned round dish of red earthenware clay with glaze decoration and knife engraving in red/black patina |
| Image Size: | 14 in (35.5 cm) |
| Framed Size: | 25 1/4 in x 25 1/4 in (64.1 cm x 64.1 cm) |
| Signed: | Inscribed stamps on the underside of the plate, 'MADOURA PLEIN FEU' | 'EDITION PICASSO' |
| Edition: | Hand numbered on the underside of the plate in black 30/100; out of the total edition of 100 |
| Condition: | This work is in excellent condition. |
| Gallery Price: Item# 2493 | Sorry, this item is sold. Please visit the rest of our Picasso fine art collection |
| Historical Description: | |
|---|---|
This stunning profile of Picasso's most famed and celebrated muse, Jacqueline, is one of his more feminine and mysterious portrayals of her. She is basked in a deep, terracotta red and set against an intricate black patina decoration; the texture of the varying surfaces can be seen in various forms of raking light, adding a depth and range of motion to her discernable expression. She seems to stare intently in the distance, with every curvature amplified and celebrated in her profile; the slender slope of her brow extends to the tip of her nose and continues down to her full lips, chin, and graceful neck. The scale and grandeur of this plate is unlike any other profile portrait of Jacqueline, as the dish seems to encompass the very aura and appeal surrounding her. Created in 1962, this original turned round dish is made of red earthenware clay with glaze decoration; knife engraved with black patina. Inscribed Madoura stamps on the underside of the plate, 'MADOURA PLEIN FEU' | 'EDITION PICASSO' and also hand numbered on the underside of the plate in black 30/100; out of the total edition of 100 works produced. Illustrated in: About the Framing: | |
| Style: | Modern Master |
About Us: Masterworks Fine Art strives to be the best source of fine art for our clients and collectors all over the world. We believe the most direct way to accomplish this is by establishing a lifetime of personal and professional relationships with our clients. More About Us »
Do you own a similar Picasso to sell? We offer free evaluations.
Biography of Pablo Picasso
Pablo Picasso (1881 - 1973)
"Yet Cubism and Modern art weren't either scientific or intellectual; they were visual and came from the eye and mind of one of the greatest geniuses in art history. Pablo Picasso, born in Spain, was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture.
"He was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Manet, Gustave Courbet, and Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain - all in the years 1899 to 1904.
"Before he struck upon Cubism, Picasso went through a prodigious number of styles - realism, caricature, the Blue Period, and the Rose Period. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and subjects focusing on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style is in Cleveland's Museum of Art, La Vie (1903), which was created in memory of a great childhood friend, the Spanish poet Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso's features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. Another outstanding Blue Period work, of 1903, is in the Metropolitan, The Blind Man's Meal. Yet another example, perhaps the most lyrical and mysterious ever, is in the Toledo Museum of Art, the haunting Woman with a Crow (1903).
"The Rose Period began around 1904 when Picasso's palette brightened, the paintings dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is in Washington, D.C., the National Gallery's large and extremely beautiful Family of Saltimbanques dating to 1905, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space.
"In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and fernale figures seen frontally or in distinct profile, almost like early Greek art. One of the best of these of 1906 is in the Albright-Knox Gallery in Buffalo, NY, La Toilette. Several pieces in this new style were purchased by Gertrude (the art patron and writer) and her brother, Leo Stein.
Picasso enjoyed creating his art on many media. From paintings to etchings to ceramics, all of his works are a testament to his skills. There are even Picasso prints that are worth more than unique original works.
