Miro Etching Aquatint Carborundum | Polyphème, 1968 (Sold)
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Joan Miro, Polyphème, 1968


Signed Joan Miro, Etching Aquatint Carborundum, Polyphème, 1968

Miro Etching Aquatint Carborundum Signed, Polyphème, 1968

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Artist: Miro, Joan (1893 - 1983)
Title: Polyphème, 1968
Reference: D.450
Medium:
Original color etching & aquatint with carborundum and cement imprint on Mandeure rag paper
Image Size: 36 3/4 in x 25 1/4 in (93.3 cm x 64.1 cm)
Sheet Size: 41 1/8 in x 29 5/8 in (104.5 cm x 75.3 cm)
Framed Size: 57 1/4 in x 44 3/4 in (145.4 cm x 113.7 cm)
Signed: Hand signed by Joan Miró (1893 – 1983) in pencil in the lower right margin
Edition: Numbered 35/75 in pencil in the lower left margin (out of the total edition of 75 signed and numbered proofs on Mandeure)
Condition: This work is in very good condition with bright color and texture visible throughout; a bold impression with clearly defined plate mark all around.
Gallery Price:
Item# 2409
Sorry, this item is sold. Please visit the rest of our Miro fine art collection
Historical Description:

Created in 1968, this original color etching and aquatint with carborundum and cement imprint is hand signed by Joan Miró (1893 – 1983) in pencil in the lower right margin.  Printed by Art Adrien Maeght, Paris and numbered 35/75 in pencil in the lower left margin on Mandeure rag paper with deckle edges; published by Maeght éditeur, Paris.

Dramatically textured, Miró depicts an abstracted profile of a human figure.  Reminiscent of Picasso’s abstract female sculptures, this image is characterized by a large nose which interrupts the graceful slope of the forehead.  The exploding colors in the background add a sense of spontaneity and joviality, enlivening the clearly delineated forms.   “Form joins form, or is born in the night of boreal dreams.  Erratic constellations: work which maybe were, or were not carried out, in the anteroom of the sketch, on in the unattained kingdom. The unknown part” (Gimferrer, 312).    

Illustrated In:
1)    Dupin, J. (1989). Miró Engraver II 1961-1973.  Rizzoli: NY. Listed and illustrated as catalogue raisonné no. 450 on pg. 109.
2)    Musée D’Art Moderne de la Ville de Paris. (1974). Miró: l’œuvre graphique. Listed as catalogue raisonné no. 119 on pg. 41.

About The Framing:
Conservation framed with museum quality, archival materials, this work is set in a Spanish-style gold and black moulding with a delicate organic motif and a sleek black border. The muted gold hues complement the bright and bold colors within the work.  Completed with white, linen-wrapped mats and a matching gold inner fillet, this work is set behind an archival Plexiglas® cover.

Style: 20th Century Modern Master, Lovers, French and Russian

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Biography of Joan Miro

Joan MiroJoan Miro (1893 - 1983)

Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.

In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. This year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography. Miro's first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936, Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year, he was commissioned to create a monumental work for the Paris World’s Fair.

Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in Miro prints and ceramics. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, he was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. He also worked with carborundum around this time. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of Miro original drawings. Joan Miro died December 25, 1983, in Palma de Mallorca, Spain.

Joan Miro prints and unique original works are commonly seen in museums and art galleries in USA and Europe.

Joan Miró created a large wool and hemp tapestry titled "The World Trade Center Tapestry" that adorned the lobby of 2 World Trade Center. It was destroyed by the collapse of the tower on September 11, 2001. ¹

¹ Lives and Treasures Taken. Library of Congress.

Miro Etching Aquatint Carborundum Signed, Polyphème, 1968
Miro Etching Aquatint Carborundum Signed, Polyphème, 1968
Miro Etching Aquatint Carborundum Signed, Polyphème, 1968
Miro Etching Aquatint Carborundum Signed, Polyphème, 1968
Miro Etching Aquatint Carborundum Signed, Polyphème, 1968
Miro Etching Aquatint Carborundum Signed, Polyphème, 1968
Miro Etching Aquatint Carborundum Signed, Polyphème, 1968
Miro Etching Aquatint Carborundum Signed, Polyphème, 1968
Miro Etching Aquatint Carborundum Signed, Polyphème, 1968
Miro Etching Aquatint Carborundum Signed, Polyphème, 1968
Miro Etching Aquatint Carborundum Signed, Polyphème, 1968