Print Page
Email to FriendSigned Pablo Picasso, Lithograph, Dessins (Drawings), 1959  |
Place your cursor over the thumbnails below to view the full-size image:
Click each room to better visualize its scale and beauty in different contexts.:
| Artist: | Picasso, Pablo (1881 - 1973), After |
|---|---|
| Title: | Dessins (Drawings), 1959 |
| Reference: | Czwiklitzer.155 |
| Medium: | Original lithograph on Arches paper |
| Image Size: | approx. 16 1/2 in x 12 in (41.9 cm x 30.5 cm) |
| Sheet Size: | 26 in x 19 3/4 in (66 cm x 50.2 cm) |
| Framed Size: | 40 1/4 in x 34 1/4 in (102.2 cm x 87 cm) |
| Signed: | Hand signed by Pablo Picasso (1881 - 1973) |
| Edition: | Numbered 19/50 in pencil in the lower left margin (aside from the poster edition with letters of only 300) |
| Condition: | This work is in great condition, a fine dark impression with full margins (with a very large lower margin) and deckle edges on all sides |
| Gallery Price: Item# 2384 | Sorry, this item is sold. Please visit the rest of our Picasso fine art collection |
| Historical Description: | |
|---|---|
Created in 1959, this original lithograph is from the rare edition of 50 prior to the poster edition of 300. From our research, this is the finest example we have seen of this work come up for sale in the last 20 years. Hand signed by Pablo Picasso (1881 – 1973) in pencil in the lower right margin, this work is numbered 19/50 in pencil in the lower left margin and printed by Arnéra, Vallauris on Arches paper with deckle edges on all sides (with very wide lower margin, without the text). The lively and whimsical image of dancing musicians and an expressive faun is repeated in the poster version of this work created for the Galerie des Remparts in Antibes, France. An exhibition of Picasso’s drawings, prints, and posters were on display at the Galerie in 1959 and this image was used for the poster advertising the show. This particular edition, however, was created prior to the poster edition and numbered out of 50. Illustrated In: About The Framing: | |
| Style: | Cubism, Blue Period, Rose Period, 20th Century Spanish Modern Master, Madoura ceramics of Vallauris |
About Us: Masterworks Fine Art strives to be the best source of fine art for our clients and collectors all over the world. We believe the most direct way to accomplish this is by establishing a lifetime of personal and professional relationships with our clients. More About Us »
![Picasso, Nature morte au crâne (Still Life with Skull), 1914 [G.36; Bl.26]](/inventory/picasso/prev_picasso2385.jpg)
Do you own a similar Picasso to sell? We offer free evaluations.
Biography of Pablo Picasso
Pablo Picasso (1881 - 1973)
"Yet Cubism and Modern art weren't either scientific or intellectual; they were visual and came from the eye and mind of one of the greatest geniuses in art history. Pablo Picasso, born in Spain, was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture.
"He was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Manet, Gustave Courbet, and Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain - all in the years 1899 to 1904.
"Before he struck upon Cubism, Picasso went through a prodigious number of styles - realism, caricature, the Blue Period, and the Rose Period. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and subjects focusing on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style is in Cleveland's Museum of Art, La Vie (1903), which was created in memory of a great childhood friend, the Spanish poet Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso's features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. Another outstanding Blue Period work, of 1903, is in the Metropolitan, The Blind Man's Meal. Yet another example, perhaps the most lyrical and mysterious ever, is in the Toledo Museum of Art, the haunting Woman with a Crow (1903).
"The Rose Period began around 1904 when Picasso's palette brightened, the paintings dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is in Washington, D.C., the National Gallery's large and extremely beautiful Family of Saltimbanques dating to 1905, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space.
"In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and fernale figures seen frontally or in distinct profile, almost like early Greek art. One of the best of these of 1906 is in the Albright-Knox Gallery in Buffalo, NY, La Toilette. Several pieces in this new style were purchased by Gertrude (the art patron and writer) and her brother, Leo Stein.
Picasso enjoyed creating his art on many media. From paintings to etchings to ceramics, all of his works are a testament to his skills. There are even Picasso prints that are worth more than unique original works.
