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Email to FriendSigned Pablo Picasso, Ceramic Madoura Sculpture, Face with Curves, 1971  |
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| Artist: | Picasso, Pablo (1881 - 1973) |
|---|---|
| Title: | Face with Curves, 1971 |
| Reference: | M.630; B.227; R.663 |
| Medium: | Picasso Madoura ceramic plaque made from red earthenware clay |
| Image Size: | 12.4 in x 11 in (31.5 cm x 28 cm) |
| Framed Size: | 38 in x 35 1/4 in (96.5 cm x 89.5 cm) |
| Signed: | Publisher's signature stamps on the reverse, 'POINÇON ORIGINALE DE PICASSO' and 'MADOURA PLEIN FEU' |
| Edition: | Publisher’s archive number, J. 155 is written on verso in black ink, indicating the work is from a limited and numbered edition with the original stamp of Picasso. Also annotated just beneath, ‘EXEMPLAIRE EDITEUR’ (or, artist’s proof). Out of the total edition of 200 numbered plaques. |
| Condition: | A large, beautiful work in perfect condition |
| Gallery Price: Item# 2213 | Sorry, this item is sold. Please visit the rest of our Picasso fine art collection |
| Historical Description: | |
|---|---|
Created in 1971, this rectangular plaque is from a limited and numbered edition with the original stamp of Picasso and numbering on the reverse: ‘POINÇON ORIGINALE DE PICASSO’ and ‘MADOURA PLEIN FEU.’ Numbered ‘J. 155 | EXEMPLAIRE EDITEUR’ (out of the total edition of 200 numbered plaques). This simplistic, yet multi-faceted plaque is a stunning work which exhibits up to seven original stamps by Pablo Picasso. Together with a series of deeply-set lines, the composition unites to create a “face” flanked by two, distinct curves in the center. The segmented area along the bottom features a single stamp of a figure in flight. There are other similar stamps throughout the composition: a man riding a horse, a couple running, and a figure in flight with his dog. All of these mini-maquettes of figural studies and landscapes come together to create an abstracted “face.” This plaque is further complemented by its “male” counterpart, the Figure with Triangle which can also be found in our Picasso inventory. Illustrated in:
About the Framing: | |
| Style: | 20th Century Modern Art, Modern Artist, Cubism, Cubist |
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![Picasso, Nature morte au crâne (Still Life with Skull), 1914 [G.36; Bl.26]](/inventory/picasso/prev_picasso2385.jpg)
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Biography of Pablo Picasso
Pablo Picasso (1881 - 1973)
"Yet Cubism and Modern art weren't either scientific or intellectual; they were visual and came from the eye and mind of one of the greatest geniuses in art history. Pablo Picasso, born in Spain, was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture.
"He was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Manet, Gustave Courbet, and Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain - all in the years 1899 to 1904.
"Before he struck upon Cubism, Picasso went through a prodigious number of styles - realism, caricature, the Blue Period, and the Rose Period. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and subjects focusing on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style is in Cleveland's Museum of Art, La Vie (1903), which was created in memory of a great childhood friend, the Spanish poet Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso's features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. Another outstanding Blue Period work, of 1903, is in the Metropolitan, The Blind Man's Meal. Yet another example, perhaps the most lyrical and mysterious ever, is in the Toledo Museum of Art, the haunting Woman with a Crow (1903).
"The Rose Period began around 1904 when Picasso's palette brightened, the paintings dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is in Washington, D.C., the National Gallery's large and extremely beautiful Family of Saltimbanques dating to 1905, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space.
"In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and fernale figures seen frontally or in distinct profile, almost like early Greek art. One of the best of these of 1906 is in the Albright-Knox Gallery in Buffalo, NY, La Toilette. Several pieces in this new style were purchased by Gertrude (the art patron and writer) and her brother, Leo Stein.
Picasso enjoyed creating his art on many media. From paintings to etchings to ceramics, all of his works are a testament to his skills. There are even Picasso prints that are worth more than unique original works.
