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Joan Miro, Oda à Joan Miró (No. 5), 1973


Signed Joan Miro, Lithograph, Oda à Joan Miró (No. 5), 1973

Miro Lithograph Signed, Oda à Joan Miró (No. 5), 1973

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Miro Lithograph Signed, Oda à Joan Miró (No. 5), 1973 (thumbnail 1)Miro Lithograph Signed, Oda à Joan Miró (No. 5), 1973 (thumbnail 2)Miro Lithograph Signed, Oda à Joan Miró (No. 5), 1973 (thumbnail 3)Miro Lithograph Signed, Oda à Joan Miró (No. 5), 1973 (thumbnail 4)
Artist: Miro, Joan (1893 - 1983)
Title: Oda à Joan Miró (No. 5), 1973
Medium:
Original Color Lithograph
Image Size: 34.7 in x 24 in (88 cm x 61 cm)
Sheet Size: 34.7 in x 24 in (88 cm x 61 cm)
Framed Size: 53 3/8 in x 42 3/4 in (135.6 cm x 108.6 cm)
Signed: Hand signed by Joan Miró (1893 – 1983) in pencil in the lower right
Edition: One of a few artist proofs noted 'H.C.' aside from the signed and numbered edition of 100 and printed on Guarro paper
Condition: This work is in excellent condition; a wonderful impression with bold and fresh colors
Price 

Item# 2182
$24,000 Submit Best Offer
(Summer Sale Price: $14,400)
(Sales not combinable and not available on prior sales or trade ups)

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Historical Description:

Perhaps the most vibrant in color out of the other works in this series, Oda à Joan Miró (No. 5) conveys a lively and energetic quality that enhances its exceptional character.  Its forms and shapes play within the spaces of the frame making it appear as though it may have a life of its own.

Created in 1973, this work from the series of 9 titled Oda à Joan Miró is annotated H.C. (hors commerce, or artist’s proof) in pencil in the lower left and hand signed by Joan Miró (1893 – 1983) in pencil in the lower right.  H.C. (or hors commerce) prints were created for the author, artist, & collaborators and was printed on Guarro paper.  Published by Edicions Polígrafa, S.A. and printed by La Polígrafa, S.A. in Barcelona, Spain.

Punctuated by stunning plays on shape and form, Miró has created an overall image that evokes a playful face in profile with an expressive eye and prominent nose and chin features. The other animated strokes surrounding the central composition serve to create an overall lively figural representation along with the bright red contrasting beautifully with the yellows and greens of the eye, and the blue crescent working together with the surrounding areas of magentas and oranges that fill the space.  Other works in this series also have other various depictions of facial expressions and facial features – this being the most colorful.

Catalogue Raisonné & COA:
It is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work).

      1) Cramer, Patrick. Joan Miró: Lithographs vol. V 1972-1975, Paris,1992. Listed and illustrated as cat. no. 907 on pg. 44 and detailed on pg. 39.

      2) Cramer, Patrick with Rosa Maria Malet. Joan Miró, The Illustrated Books: Catalogue Raisonné, Geneva, 1989. Listed and illustrated as cat. no. 175 on pgs. 430-1.

About the Framing:
Our Miro lithographs are framed with museum-quality archival materials. This work is mounted in a modern black and gold moulding.  The bold colors of this Spanish-style frame accentuate the natural highlights within the works.  Completed with white, linen-wrapped mats, and a matching gold inner fillet, Oda à Joan Miró is set behind an archival Plexiglas® cover.

Style: Surrealism, 20th Century Modern Surrealist Spanish Master
 

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  • Miro, Untitled Drawing
  • Miro, Danseuse Créole (Creole Dancer), 1978
  • Miro, Barcelona, 1973
  • Miro, Untitled Woman and Dog from the series of paintings known as 'Slow Paintings'
  • Miro, Le sourire aux ailes flamboyantes, 1954, Maeght 1705
  • Miro,  Le Chien Bleu (The Blue Dog), 1959
  • Miro, Dans le grenier à sel (In the Salt Attic), 1975
  • Miro, Le Délire du Couturier - Aubergine (Fashion Frenzy), 1969
  • Miro, Ubu Roi (King Ubu) from Suites pour Ubu Roi, 1966
  • Miro, Polyphème, 1968
  • Miro, Quatre Colors Aparien El Món…Plate II, 1975
  • Miro, Emephylop, 1968
  • Miro, Ubu Roi (King Ubu) from Suites pour Ubu Roi, 1966
  • Miro, Ubu Roi (King Ubu) from Suites pour Ubu Roi, 1966
  • Miro, Untitled from Ubu roi, 1966
  • Miro, Strindberg Mappen, 1976
  • Miro, Ubu Roi (King Ubu) from Suites pour Ubu Roi, 1966
  • Miro, Le Mauve De La Lune Couvre Le Vert De La Grenouille (The Mauve Of The Moon Covers The Green Of The Frog), 1952
  • Miro, Ubu Roi (King Ubu) from Suites pour Ubu Roi, 1966
  • Miro, El Pi de Formentor (The Pine of Formentor), 1976
  • Miro, Méandres et vent (Meanders & Wind), 1964
  • Miro, Oda à Joan Miró (No. 5), 1973
  • Miro, El Pi de Formentor (The Pine of Formentor), 1976
  • Miro, L'éloge de la main (The Hand Eulogy), 1958
  • Miro, Exhibition at the Pasadena Art Museum, 1969
  • Miro, Personatge I Estels II (Figures and Stars II), 1979
  • Miro, Godalla, 1973
  • Miro, Quelques fleurs pour des amis,1964
  • Miro, Mur de la lune (Moon Wall), 1957
  • Miro, Graphismes, 1961
  • Miro, Soleil Noye I, 1962
  • Miro, La Pluie Matinale au Clair de Lune (Morning Rain in Moonlight), 1958
  • Miro, Etching from L'Issue Dérobée, 1974, D. 688 and 692
  • Miro, L’entraîneuse – rouge (The Bar Maid – Red), 1969
  • Miro, L'esprit (The Spirit), 1969
  • Miro, Le plus beau cadeau (The Finest Gift)
  • Miro, Le Moulin à Café (The Coffee Grinder), 1954
  • Miro, Ubu Aux Baléares, 1971
  • Miro, Ubu Aux Baléares, 1971
  • Miro, Le ciel du forgeron, 1964
  • Miro, San Lazzaro et Ses Amis, 1975
  • Miro, Après l’orage (After the Storm), 1957
  • Miro, Composicion
  • Miro, À Toute Épreuve, 1958
  • Miro, El Sobreviviente Visita Los Pájaros I (The Survivor Visits the Birds I)
  • Miro, El Sobreviviente Visita Los Pájaros II (The Survivor Visits the Birds II)
  • Miro, Astrology II, 1953
  • Miro, Flux de l'Aimant XIV (Magnetic Flow No. 14), 1964
  • Miro, Lithograph I from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph IX from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph X from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph V from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph III from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph IV from Miró,Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph VIII from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph VII from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph II from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph VI from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Flux de l'Aimant V (Magnetic Flow No. 5), 1964
  • Miro, Flux de l'Aimant VI (Magnetic Flow No. 6), 1964
  • Miro, Flux de l'Aimant VII (Magnetic Flow No. 7), 1964
  • Miro, Untitled Pink Composition from Tracé sur l’eau, 1963

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Biography of Joan Miro

Joan MiroJoan Miro (1893 - 1983)

Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.

In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. This year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography. Miro's first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936, Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year, he was commissioned to create a monumental work for the Paris World’s Fair.

Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in Miro prints and ceramics. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, he was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. He also worked with carborundum around this time. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of Miro original drawings. Joan Miro died December 25, 1983, in Palma de Mallorca, Spain.

Joan Miro prints and unique original works are commonly seen in museums and art galleries in USA and Europe.

Joan Miró created a large wool and hemp tapestry titled "The World Trade Center Tapestry" that adorned the lobby of 2 World Trade Center. It was destroyed by the collapse of the tower on September 11, 2001. ¹

¹ Lives and Treasures Taken. Library of Congress.