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Joan Miro, Sculptures for Galerie Maeght, 1970
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Signed Joan Miro, Lithograph, Sculptures for Galerie Maeght, 1970  |
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| Artist: | Miro, Joan (1893 - 1983) |
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| Title: | Sculptures for Galerie Maeght, 1970 |
| Medium: | Lithograph |
| Image Size: | 31 1/4 in x 23 in (79.38 cm x 58.42 cm) |
| Framed Size: | 49 in x 41 in (124.46 cm x 104.14 cm) |
| Signed: | Hand-signed by Joan Miró (1893 – 1983) in pencil in the lower right |
| Edition: | This work is lettered E.A. in pencil in the lower left (the total edition was 150 plus a few artist proofs, of which this is one) |
| Condition: | This work is in very good condition, a bold impression with bright, vibrant colors featuring deckle edges on three sides |
| Price: Item# 2163 | $SOLD Please visit the rest of our Miro fine art collection |
| Historical Description: | |
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Incredibly expressive and monumental in form and color, this piece later became the perfect image representing Miró’s exhibition of sculptures at Galerie Maeght in the summer of 1970. Thick, bold strokes of black, green, red, and blue echo the same sculptural qualities found in several of his works; the paint splatters in the background coupled with scattered blotches of color add to the textural, 3-dimensional element inherent in the piece. Miró was a master of color lithography, apparent in the manner in which color was first applied to the stone and then transferred to the paper; his signature stroke is clearly evident, along with a delicately balanced composition that, together with his boldly written name on the bottom, create an incredible, epic piece. Created in 1970 for a poster of Joan Miró’s sculptures exhibited at Galerie Maeght (23 July – 30 September 1970), this lithograph is an artist’s proof, out of the edition made before lettering on Lana vellum paper with deckle edges on three sides. Hand-signed by Joan Miró (1893 – 1983) in the lower right, this piece was published by Maeght, Paris and printed by Arte Adrien Maeght, Paris. Catalogue Raisonné & COA: 1. Joan Miró Lithograph vol. IV 1969 – 1972, Maeght Editeur, Paris. Listed and illustrated in this catalogue raisonné as cat. no. 668 on pg. 72. 2. Musée d’Art Moderne de la Ville de Paris. Miró – l’œuvre graphique, Paris, 1974. Listed in this catalogue raisonné as cat. no. 561 on pg. 142. 3. Konsthall, Malmö. Joan Miró – Posters/Affischer. Listed and illustrated in this catalogue raisonné as cat. no. 45 on pgs. 106-7. About the Framing: |
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Biography of Joan Miro
Joan Miro (1893 - 1983)
Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.
In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. This year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography. Miro's first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936, Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year, he was commissioned to create a monumental work for the Paris World’s Fair.
Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in Miro prints and ceramics. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, he was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. He also worked with carborundum around this time. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of Miro original drawings. Joan Miro died December 25, 1983, in Palma de Mallorca, Spain.
Joan Miro prints and unique original works are commonly seen in museums and art galleries in USA and Europe.
Joan Miró created a large wool and hemp tapestry titled "The World Trade Center Tapestry" that adorned the lobby of 2 World Trade Center. It was destroyed by the collapse of the tower on September 11, 2001. ¹
¹ Lives and Treasures Taken. Library of Congress.
