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Vasarely, Victor, Composition Carrée Relief, 1970


Signed Victor Vasarely, Original Rosenthal Porcelain , Composition Carrée Relief, 1970

Vasarely Original Rosenthal Porcelain  Signed, Composition Carrée Relief, 1970

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Artist: Vasarely, Victor (1906 - 1997)
Title: Composition Carrée Relief, 1970
Medium:
Original Rosenthal Porcelain
Image Size: 15 1/2 in x 15 1/2 in (39.4 cm x 39.4 cm)
Framed Size: 28 5/8 in 28 5/8 in (72.8 cm x 72.8 cm)
Signed: Hand signed by Victor Vasarely (Pécs, 1906 - Paris, 1997) in ink on a label affixed to the verso.
Edition: Numbered from the edition of 75 in ink on label on verso.
Condition: This work is in very good condition; slight paint chips on the black square to the left.
Gallery Price 
$10,000
Item# 2051
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Combining recessed and protruding geometric shapes, this shimmering ceramic work toys with light and shadow to instantly capture our eye. One of the rare works published by Rosenthal ceramics, this optical piece in an unconventional medium highlights the beauty of geometry through its use of bold colors and simple shapes.


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Historical Description:
This original porcelain Rosenthal relief by Victor Vasarely (Pécs, 1906 - Paris, 1997) has been hand signed by the artist in ink on a label affixed to the reverse. Published by Rosenthal and numbered from the edition of 75 in ink on a label affixed to the reverse.

Vasarely's skill in creating a sense of the three-dimensional through the use of visual effects is apparent in this work with a combination of recessed and protruding geometrical shapes. The feeling of volume and space is highlighted in a superb manner by making the entire porcelain in stunning bold colors. The use of circles, squares, diamonds and triangles transform these basic shapes into an intricate pattern. The total effect of this play on color and shape is visually stunning and impressive in the amount of thought and skill put into the arrangement of design elements.

EXHIBITED:
Centre Culturel Allemand, Paris
Marlborough Galleria d'Arte, Rome
Danischer Kunstverein, Kopenhagen
Galerie Heland, Stockholm
Goethe Institute, Manchester
City of Liverpool Museum, Liverpool
Forma S.A., Sao Paulo
Takashimaya, Tokyo
Vancouver Art Gallery, Vancouver
Museum von Le Mans, le Mans
Galerie Raimund Thomas, Munchen
Galerie nachst St. Stephan, Wien
Galerie D'Eendt, Amsterdam
Galerie Ben Wargin, Berlin

DOCUMENTED AND ILLUSTRATED IN:

1. Kunst in Porzellan, 1978, Listed as No. 65 in exhibition catalogue

ABOUT THE FRAMING:
Conservation framed with archival materials and museum quality, this work is set in a modern black frame. The simplicity of the moulding accentuates the details in this work without detracting our focus on the image. Completed with simple black linen wrapped mattes.

 

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Biography of Victor Vasarely

Victor VasarelyVictor Vasarely (1906 - 1997)

A personal recollection (by Alex Adelman): I was very fortunate to have met Victor Vasarely several times and will always remember him as a very warm, funny, charming, intelligent man. However, what struck me most about him was that he had a child-like innocence and wonderment toward both people and the world around him. The last time I saw him, a year or so ago, I remember fondly watching him play Yvaral several games of chess. Needless to say, he beat Yvaral each time! We shared a glass of wine, chocolates and then he entertained us with Hungarian folk songs. It was a truly fun and memorable occasion!

Internationally recognized as one of the most important artists of the 20th century. Victor Vasarely is the acknowledged leader of the Op Art movement, and his innovations in color and optical illusion have had a strong influence on many modern artists.

In 1947, Vasarely discovered his place in abstract art. Influenced by his experiences at Breton Beach of Belle Isle, he concluded that "internal geometry" could be seen below the surface of the entire world. He conceived that form and color are inseparable. "Every form is a base for color, every color is the attribute of a form." Forms from nature were thus transposed into purely abstract elements in his paintings. Recognizing the inner geometry of nature, Vasarely wrote, "the ellipsoid form...will slowly, but tenaciously, take hold of the surface, and become its raison d'etre. Henceforth, this ovoid form will signify in all my works of this period, the 'oceanic feeling'...I can no longer admit an inner world and another, an outer world, apart. The within and the without communicate by osmosis, or, one might rather say: the spatial-material universe, energetic-living, feeling-thinking, form a whole, indivisible... The languages of the spirit are but the supervibrations of the great physical nature."

Victor Vasarely was born in Pecs, Hungary in 1906. After receiving his baccalaureate degree in 1925, he began studying art at the Podolini-Volkmann Academy in Budapest. In 1928, he transferred to the Muhely Academy, also known as the Budapest Bauhaus, where he studied with Alexander Bortnijik. At the Academy, he became familiar with the contemporary research in color and optics by Jaohannes Itten, Josef Albers, and the Constructivists Malevich and Kandinsky.

After his first one-man show in 1930, at the Kovacs Akos Gallery in Budapest, Vasarely moved to Paris. For the next thirteen years, he devoted himself to graphic studies. His lifelong fascination with linear patterning led him to draw figurative and abstract patterned subjects, such as his series of harlequins, checkers, tigers, and zebras. During this period, Vasarely also created multi-dimensional works of art by super-imposing patterned layers of cellophane on one another to attain the illusion of depth.

In 1943, Vasarely began to work extensively in oils, creating both abstract and figurative canvases. His first Parisian exhibition was the following year at the Galerie Denise Rene which he helped found. Vasarely became the recognized leader of the avant-garde group of artists affiliated with the gallery.

In 1955, Galerie Denise Rene hosted a major group exhibition in connection with Vasarely's painting experiments with movement. This was the first important exhibition of kinetic art and included works by Yaacov Agam, Pol Bury, Soto, and Jean Tinguely, among others.

During the 1950's, Vasarely wrote a series of manifestos on the use of optical phenomena for artistic purposes. Together with his paintings and Vasarely prints, these were a significant influence on younger artists. According to the artist, "In the last analysis, the picture-object in pure composition appears to me as the last link in the family 'paintings,' still possessing by its shining beauty, an end in itself. But it is already more than a painting, the forms and colors which compose it are still situated on the plane, but the plastic event which they trigger fuses in front of and in the plane. It is thereby an end, but also a beginning, a kind of launching pad for future achievements."

Today, Victor Vasarely's prints, paintings, collages and sculptures are celebrated in numerous exhibits all around the world.

Read more about Victor Vasarely's historic styles

Read more about Victor Vasarely's shows and exhibitions

RELATED CONTEMPORARY ARTISTS:
Agam | Arman | Butterfield horse | Calder | Chia | Francis | Haring | Lichtenstein | Nierman | Noland | Vasarely | Warhol | Yvaral

Vasarely Original Rosenthal Porcelain  Signed, Composition Carrée Relief, 1970
Vasarely Original Rosenthal Porcelain  Signed, Composition Carrée Relief, 1970
Vasarely Original Rosenthal Porcelain  Signed, Composition Carrée Relief, 1970
Vasarely Original Rosenthal Porcelain  Signed, Composition Carrée Relief, 1970
Vasarely Original Rosenthal Porcelain  Signed, Composition Carrée Relief, 1970
Vasarely Original Rosenthal Porcelain  Signed, Composition Carrée Relief, 1970
Vasarely Original Rosenthal Porcelain  Signed, Composition Carrée Relief, 1970
Vasarely Original Rosenthal Porcelain  Signed, Composition Carrée Relief, 1970
Vasarely Original Rosenthal Porcelain  Signed, Composition Carrée Relief, 1970
Vasarely Original Rosenthal Porcelain  Signed, Composition Carrée Relief, 1970
Vasarely Original Rosenthal Porcelain  Signed, Composition Carrée Relief, 1970