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GOLTZIUS, Hendrik, Apollo (B.141, H.131, S. 263)
Hendrick Goltzius, the most important Dutch artist of his generation and a founder of the seventeenth-century Haarlem school, was born in Muhlbrach… [Read biography »]
Signed Hendrik Goltzius (1558 - 1617), Engraving, Apollo (B.141, H.131, S. 263)  |
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| Artist: | Goltzius, Hendrik (1558 - 1617) |
|---|---|
| Title: | Apollo (B.141, H.131, S. 263) |
| Medium: | Engraving |
| Image Size: | 13 1/2 in x 10 1/4 in (138.38 cm x 26.04 cm) |
| Sheet Size: | 13 5/8 in x 10 1/2 in (141 cm x 28 cm) |
| Framed Size: | 31 3/4 in x 28 1/8 in (80.65 cm x 71.45 cm) |
| Signed: | Initaled in the plate |
| Edition: | 1st state impression |
| Condition: | In good condition, some minor expert conservation completed on the piece |
Price :Item# 2036 | $5,500 To speak directly with the Director, Alex Adelman, please call (510) 777-9970 / 1-800-805-7060. |
| Description: | |
Hendrick Goltzius, one of the Master Engravers of his time, was more notably recognized for his outstanding ability to translate the human form in extremely intricate and innovative engraving styles, unique to his own. He depicts the Apollo, the God of the Sun, dramatically set in beams of light and a blanket of clouds. Apollo emerges from the clouds, holding a staff in his right hand to command the light of the sun. His iconic harp rests at his feet while he is busy at work parting the clouds in order for the rays of light to shine down to Earth. The inscribed halo circling his head is translating from Latin in the following: "The Sun, radiant gold rays of light, both beaming and twinkling. Putting into order all which illuminates the earth." Apollo is presumably seen in the background as well, steering his chariot of horses to drive away the clouds of grey. Goltzius commands the burin with just as much skill as Apollo with the sun, using dramatic shading and intense lighting to translate the passion and energy of Apollo's spirit of the sun. Catalogue Raisonné & COA: 1. Strauss, Walter L., ed. The Illustrated Bartsch 3, Netherlandish Artists: Hendrik Goltzius, New York, 1980. Listed and illustrated as cat. no. 141 on pg. 134. About the Framing: | |
| Style: | Old Master |
Biography of Hendrik Goltzius
Hendrick Goltzius, the most important Dutch artist of his generation and a founder of the seventeenth-century Haarlem school, was born in Muhlbracht in 1558. After learning the trade of glass painting from his father, Jan II Goltz, Hendrick studied with Dirck Volckertsz. Coornhert in Xanten, who taught him the art of engraving. In 1577, Goltzius settled in Haarlem, where he made numerous reproduced engravings for the Antwerp publisher Philip Galle, and by 1582 had established a flourishing atelier in which prints of his own invention were also made and published.
In 1583, the Flemish painter-theoretician Carel van Mander arrived in Haarlem, and introduced Goltzius to the work of the Flemish artist Bartholomaeus Spranger (1546-1611). Goltzius was quickly seduced by Spranger's flamboyant mannerist style, and not only made many prints after his works, but also began to incorporate Spranger's elegantly attenuated figures and violent foreshortenings into his own engravings.
In 1590, Goltzius travelled to Italy, where he studied ancient sculpture and paintings of the High Renaissance masters in Rome, Florence, Venice and Bologna. Upon his return to Haarlem the following year, Goltzius abandoned his earlier mannerist mode, turning instead to the more normative, classic forms of the Italian and Northern Renaissance, a change which would prove decisive for the rest of his career. Around the turn of the century, Goltzius exchanged his engraver's tools for the painter's brush, in part due to failing eyesight after years of close work with the burin, but also in response to the theory of his friend van Mander, who held painting above the graphic arts. Goltzius's paintings are relatively rare. Approximately fifty autograph works are known, and all date from between c.1600 and 1617, the year of the artist's death.
Drawings, Engravings and Paintings by Goltzius can be found in most major institutions around the world.
