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Email to FriendSigned Pablo Picasso, Ceramic Madoura Sculpture, Flute Player and Cavaliers, 1956  |
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| Artist: | Picasso, Pablo (1881 - 1973) |
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| Title: | Flute Player and Cavaliers, 1956 |
| Reference: | Ramié 340 |
| Medium: | Picasso Madoura ceramic round ceramic plate |
| Image Size: | Diameter: 14.6 in (37 cm) |
| Sheet Size: | Diameter: 14.6 in (37 cm) |
| Framed Size: | 28.5 in x 28.5 in (72.4 x 72.4 cm) |
| Signed: | This work is stamped on the reverse 'Empreinte Originale De Picasso' and 'Madoura plein feu' with an inscribed marking A101 |
| Edition: | From the edition of 100 |
| Condition: | This work is in great condition with articulated detail and a natural settling exclusion at the bottom, inherent to the piece, overall all great condition |
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Super Price
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Item# 1920
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Using simple clean cut lines and a monochromatic white hue, Picasso references the romantic French countryside. Though absent of color, we can almost imagine ourselves transported to this peaceful scene, where a blissful flute player performs for the agile cavaliers galloping around on horseback in the distance. |
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| Historical Description: | |
Utilizing the minimalist design motifs frequently found in his ceramics, Picasso creates an intricate and harmonious work that plays with our notion of what is functional and what is art. Situated somewhere in the wistful and romantic French countryside, the reclining flute player performs as the masculine and agile cavaliers pass by in the distance. Created in 1956, this round ceramic plate was produced by Madoura under the direction of Picasso. Created from white earthenware clay, this piece is from an edition of only 100. The work is stamped on the reverse, ‘Empreinte Originale De Picasso’ and ‘Madoura plein feu’ and an inscribed marking A101. Georges Bloch stated of Picasso’s ceramic works, ‘…in approach, material and technique is as novel as it is interesting. Pottery, gleaming white discs with relief designs, monochrome or brightly coloured ovals, dishes and even jugs and vases here serve as bearers of compositions whose themes express the joyous, life-loving side of Picasso’s work. They are printed from blocks and stamps fashioned by the master over a period of more than twenty years in the Madoura pottery workshop in Vallauris.” (Bloch 7) Catalogue Raisonné & COA: 1) Bloch, Georges, Pablo Picasso, Catalogue de l’oeuvre grave céramique 1949-1971. Tome III: 1972, listed as cat no 105 on pg 91. 2) Ramié, Alain, Picasso: Catalogue of the edited ceramic works 1947 – 1971, 1988, listed as cat no 340 on pg 174. 3) Masterworks Fine Art, Inc. Certificate of Authenticity accompanies this work. About the Framing: | |
| Style: | 20th Century Modern Art, Modern Artist, Cubism, Cubist |
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Biography of Pablo Picasso
Pablo Picasso (1881 - 1973)
"Yet Cubism and Modern art weren't either scientific or intellectual; they were visual and came from the eye and mind of one of the greatest geniuses in art history. Pablo Picasso, born in Spain, was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture.
"He was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Manet, Gustave Courbet, and Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain - all in the years 1899 to 1904.
"Before he struck upon Cubism, Picasso went through a prodigious number of styles - realism, caricature, the Blue Period, and the Rose Period. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and subjects focusing on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style is in Cleveland's Museum of Art, La Vie (1903), which was created in memory of a great childhood friend, the Spanish poet Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso's features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. Another outstanding Blue Period work, of 1903, is in the Metropolitan, The Blind Man's Meal. Yet another example, perhaps the most lyrical and mysterious ever, is in the Toledo Museum of Art, the haunting Woman with a Crow (1903).
"The Rose Period began around 1904 when Picasso's palette brightened, the paintings dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is in Washington, D.C., the National Gallery's large and extremely beautiful Family of Saltimbanques dating to 1905, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space.
"In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and fernale figures seen frontally or in distinct profile, almost like early Greek art. One of the best of these of 1906 is in the Albright-Knox Gallery in Buffalo, NY, La Toilette. Several pieces in this new style were purchased by Gertrude (the art patron and writer) and her brother, Leo Stein.
Picasso enjoyed creating his art on many media. From paintings to etchings to ceramics, all of his works are a testament to his skills. There are even Picasso prints that are worth more than unique original works.
