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Pablo Picasso, Figures, 1956


Signed Pablo Picasso, Ceramic Madoura Sculpture, Figures, 1956

Picasso Ceramic Madoura Sculpture Signed, Figures, 1956

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Artist: Picasso, Pablo (1881 - 1973)
Title: Figures, 1956
Reference: Ramié 356
Medium:
Picasso Madoura ceramic turned round cup; earthenware clay, decoration in engobes and engraved by knife, paraffin, white enamel
Image Size: Diameter: 10 1/4 in (26.04 cm)
Framed Size: 21 3/4 in x 21 3/4 in (55.2 cm x 55.2 cm)
Signed: This work is marked on the underside of the base 'Edition Picasso' and 'Madoura,' in addition to imprinted 'Edition Picasso' and 'Madoura Plein Feu' pottery stamps
Edition: Numbered 74/100 on the underside of the base; a unique variant from an original published edition of this work (as discussed in A. Ramié) with glazed markings throughout.
Condition: In excellent condition with no damage
Gallery Price:
Item# 1919
SOLD. Please visit the rest of our Picasso fine art collection
Historical Description:

DISCUSSION:
This striking ceramic bowl comes alive with color as its dramatic Figures along the inner rim appear to dance within. Evoking a sentimental Spanish tradition, this piece would make a fine addition to any collection. The Mediterranean sun radiates it brilliant warmth to the dancing figures decorating the inner rim of the bowl. Accented by decorative engravings coupled with yellows, reds, and blacks, the colors provide an eye-catching display against the muted tones of the earthenware clay. The Figures are energetic and full of movement as they dance around the dazzling sun; the bowl is finished with a smooth shine, allowing it to twinkle with highlights and lowlights throughout.

Created in 1956, this piece was created out of the Edition Picasso from the Madoura Pottery Workshop in the South of France. Hand numbered 74/100 in black with handwritten inscription, 'Edition Picasso' and inscribed Madoura stamps on the underside of the bowl, 'EDITION PICASSO' and 'MADOURA PLEIN FEU.' We consider this specific work a unique variant from the edition of 100 as certain markings have brighter coloration and are glazed throughout. Similar to its variant (please see item #2524)

Illustrated in:
1. Ramié, A. (1988). Picasso: Catalogue of the Edited Ceramic Works 1947 - 1971. Madoura: Paris. Listed and illustrated as catalogue raisonné no. 355 on pg. 182, another variant illustrated.
2. Ramié, G. (1976). Picasso's Ceramics. Viking Press: NY. Listed and illustrated as catalogue raisonné no. 687 on pg. 277, another variant illustrated.

About the Framing:
This resplendent custom frame is the perfect elegant complement to this exquisite ceramic bowl. Framing begins with white, linen-wrapped wooden liners that securely hold the ceramic in place and allow visibility in the back (to view markings). A bright gold frame encases the wood liners and highlights the gentle texture and color within the work. A heavy weight picture wire is attached to the frame to ensure a secure hanging. Due to the size and weight of this piece, we recommend using a heavy duty double nail hook with 100-150 pound weight capacity (double the weight of the piece to determine hook capacity).

Style: 20th Century Modern Art, Modern Artist, Cubism, Cubist

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Biography of Pablo Picasso

Pablo PicassoPablo Picasso (1881 - 1973)

"Yet Cubism and Modern art weren't either scientific or intellectual; they were visual and came from the eye and mind of one of the greatest geniuses in art history. Pablo Picasso, born in Spain, was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture.

"He was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Manet, Gustave Courbet, and Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain - all in the years 1899 to 1904.

"Before he struck upon Cubism, Picasso went through a prodigious number of styles - realism, caricature, the Blue Period, and the Rose Period. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and subjects focusing on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style is in Cleveland's Museum of Art, La Vie (1903), which was created in memory of a great childhood friend, the Spanish poet Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso's features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. Another outstanding Blue Period work, of 1903, is in the Metropolitan, The Blind Man's Meal. Yet another example, perhaps the most lyrical and mysterious ever, is in the Toledo Museum of Art, the haunting Woman with a Crow (1903).

"The Rose Period began around 1904 when Picasso's palette brightened, the paintings dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is in Washington, D.C., the National Gallery's large and extremely beautiful Family of Saltimbanques dating to 1905, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space.

"In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and fernale figures seen frontally or in distinct profile, almost like early Greek art. One of the best of these of 1906 is in the Albright-Knox Gallery in Buffalo, NY, La Toilette. Several pieces in this new style were purchased by Gertrude (the art patron and writer) and her brother, Leo Stein.

Picasso enjoyed creating his art on many media. From paintings to etchings to ceramics, all of his works are a testament to his skills. There are even Picasso prints that are worth more than unique original works.

The artistic periods of Pablo Picasso

Historical Pablo Picasso exhibitions

Picasso Ceramic Madoura Sculpture Signed, Figures, 1956
Picasso Ceramic Madoura Sculpture Signed, Figures, 1956
Picasso Ceramic Madoura Sculpture Signed, Figures, 1956
Picasso Ceramic Madoura Sculpture Signed, Figures, 1956
Picasso Ceramic Madoura Sculpture Signed, Figures, 1956
Picasso Ceramic Madoura Sculpture Signed, Figures, 1956
Picasso Ceramic Madoura Sculpture Signed, Figures, 1956
Picasso Ceramic Madoura Sculpture Signed, Figures, 1956
Picasso Ceramic Madoura Sculpture Signed, Figures, 1956
Picasso Ceramic Madoura Sculpture Signed, Figures, 1956
Picasso Ceramic Madoura Sculpture Signed, Figures, 1956