MIRO, Joan, Un oeillet rouge (A Red Carnation) from Le lézard aux plumes d’or (The Lizard with Golden Feathers), 1971
Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja&… [Read biography »]
Signed Joan Miro (1893 - 1983), Original Color Lithograph, Un oeillet rouge (A Red Carnation) from Le lézard aux plumes d’or (The Lizard with Golden Feathers), 1971  |
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| Artist: | Miro, Joan (1893 - 1983) |
|---|---|
| Title: | Un oeillet rouge (A Red Carnation) from Le lézard aux plumes d’or (The Lizard with Golden Feathers), 1971 |
| Medium: | Original Color Lithograph |
| Image Size: | 19 in x 13 1/4 in (48.26 cm x 33.66 cm) |
| Sheet Size: | 22 in x 16 in (55.88 cm x 40.64 cm) |
| Framed Size: | 39 7/8 in x 34 1/4 in (101.3 cm x 87 cm) |
| Signed: | Hand-signed by Joan Miró (1893 - 1983) in pencil in the lower right |
| Edition: | Printed on Japon paper. This work is numbered 5/40, in pencil in the lower left |
| Condition: | This work is in pristine condition, a bold impression with bright, vibrant colors |
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| Description: | |
An exuberance and gracefulness fills this snowy scene, depicting one of Miró’s enchanting poems as part of his collection of works in Le Lézard aux Plumes d’Or. Here we find his notable surrealist vision, coupled with his innovative techniques in lithography to create a delightful and abstract array of characters. The poem, in French (with translation) , is as follows: Un oeillet rouge A red carnation Éclate Brilliant Sur le bout d'un parapluie porté par At the tip of an umbrella held by Un merlan à queue de perroquet A whiting with the tail of a parrot Couché sur la neige Hidden beneath the pink" Rosé Snow Created in 1971 as part of a series of 15 color lithographs by Joan Miró to illustrate a book of his own poetry. Titled Le Lézard aux Plumes d’Or (The Lizard with Golden Feathers) , these works were published by Broder, Paris and printed by Mourlot, Paris. Numbered 5/40 in pencil in the lower left, this work is out of the edition of 40 on Japon paper with wide margins (there was a book edition as well) . Catalogue Raisonné & COA: 1. Cramer, Patrick. Joan Miró, The Illustrated Books: Catalogue Raisonné, Geneva, 1989. Listed and illustrated as cat. no. 148 on pgs. 370-1. 2. Joan Miró Lithograph vol. IV 1969 – 1972, Maeght Editeur, Paris. Listed and illustrated as cat. no. 794 on pg. 158 and detailed on pg. 153. 3. Musée d’Art Moderne de la Ville de Paris. Miró – l’œuvre graphique, Paris, 1974. Illustrated book listed as cat. no. 491 on pg. 126. 4. Taillandier, Yvon. Indelible Miró, Paris, 1972. Excerpts from the illustrated book featured on pg. 181-8. About the Framing: | |
Biography of Joan Miro
Joan Miro (1893 - 1983)
Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.
In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. This year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography, and his first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936, Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year, he was commissioned to create a monumental work for the Paris World’s Fair.
Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in Miro prints and ceramics. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, Miró was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of Miro drawings. Joan Miro died December 25, 1983, in Palma de Mallorca, Spain.
