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HOME > BUY ORIGINALS > MIRO > L'éloge de la main (The Hand Eulogy), 1958
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MIRO, Joan, L'éloge de la main (The Hand Eulogy), 1958

Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja&… [Read biography »]

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Signed Joan Miro (1893 - 1983), Original Color Etching & Aquatint, L'éloge de la main (The Hand Eulogy), 1958

MIRO signed, L\'éloge de la main (The Hand Eulogy), 1958

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MIRO signed, L\'éloge de la main (The Hand Eulogy), 1958 (thumbnail 1)MIRO signed, L\'éloge de la main (The Hand Eulogy), 1958 (thumbnail 2)MIRO signed, L\'éloge de la main (The Hand Eulogy), 1958 (thumbnail 3)MIRO signed, L\'éloge de la main (The Hand Eulogy), 1958 (thumbnail 4)
Artist: Miro, Joan (1893 - 1983)
Title: L'éloge de la main (The Hand Eulogy), 1958
Reference: D.658
Medium: Original Color Etching & Aquatint
Image Size: 25 3/4 in x 20 1/4 in (65.41 cm x 51.44 cm)
Sheet Size: 25 3/4 in x 20 1/4 in (65.41 cm x 51.44 cm)
Framed Size: 42 1/2 in x 37 in (107.95 cm x 93.98 cm)
Signed: Hand signed by Joan Miró (1893 - 1983) in pencil in the lower right
Edition: Numbered 7/50 in pencil, lower left
Condition: This Work Is In Excellent Condition, A Bold Impression With Bright, Vibrant Colors With A Clearly Defined Plate Mark All Around
Price 
:

Item# 1750
$21,000

(BUY $100,000 IN FINE ART AND GET $100,000 IN FINE ART FREE!!!)

To speak directly with the Director, Alex Adelman, please call (510) 777-9970 / 1-800-805-7060.
 
Description:

This fantastic composition, echoing the shape of Joan Miró’s unique handprint in the center, is rich and vibrant with a myriad of color.  There are dramatic rays of red, green, blue, and black which radiate from the center against a background of whimsical starbursts and blotches of purple and orange.  It seems to magnify or “eulogize” the symbolism of the hand which has a contrasting gleam of yellow in the center.  The entire print seems to engulf the viewer in a surrealistic environment that appears to be alive with movement and energy.  

Created in 1974, this work is hand signed by Joan Miró (1893 – 1983) in pencil in the lower right.  Numbered 7/50 in pencil in the lower left and printed by Morsang, Paris on Arches paper.  Published by Maeght, Paris.

Catalogue Raisonné & COA:
It is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work) :

1.    Dupin, Jacques. Miró Engraver, vol. III 1973 – 1975, Rizzoli International Publications: New York, 1992. Listed and illustrated as catalogue raisonné no. 658 on pg. 59.

About the Framing:
Conservation framed with archival materials and museum quality, this work is set in a Spanish-style gold and black moulding with a delicate organic motif and a sleek black border. The muted gold hues complement the bright and bold colors within the work.  Completed with white, linen-wrapped mats and a matching gold inner fillet, this work is set behind an archival Plexiglas® cover.

Style: 20th Century Modern Master, Surrealism
 

Biography of Joan Miro

Joan MiroJoan Miro (1893 - 1983)

Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.

In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. This year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography, and his first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936, Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year, he was commissioned to create a monumental work for the Paris World’s Fair.

Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in Miro prints and ceramics. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, Miró was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of Miro drawings. Joan Miro died December 25, 1983, in Palma de Mallorca, Spain.