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MIRO, Joan, Le Mauve De La Lune Couvre Le Vert De La Grenouille (The Mauve Of The Moon Covers The Green Of The Frog), 1952
Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja&… [Read biography »]
Signed Joan Miro (1893 - 1983), Original Color Lithograph, Le Mauve De La Lune Couvre Le Vert De La Grenouille (The Mauve Of The Moon Covers The Green Of The Frog), 1952  |
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| Artist: | Miro, Joan (1893 - 1983) |
|---|---|
| Title: | Le Mauve De La Lune Couvre Le Vert De La Grenouille (The Mauve Of The Moon Covers The Green Of The Frog), 1952 |
| Reference: | D.894 |
| Medium: | Original Color Lithograph |
| Image Size: | 16 1/4 in x 12 1/2 in (41.28 cm x 31.75 cm) |
| Sheet Size: | 21 1/4 in x 15 3/4 in (53.98 cm x 40 cm) |
| Framed Size: | 37 1/2 in x 32 in (95.25 cm x 81.28 cm) |
| Signed: | Hand-Signed In Pencil And Dated 1952 By Joan Miró |
| Edition: | anotated EA (artist proof) in the lower right (aside from the editio of 300) |
| Condition: | This Work Is In Very Good Condition, Colors Are Bright And Fresh |
Price :Item# 1542 | $21,000 To speak directly with the Director, Alex Adelman, please call (510) 777-9970 / 1-800-805-7060. |
| Description: | |
Exuding a childlike and playful sentiment, Le Mauve de la Lune Couvre le Vert de la Grenouille is brimming with color and also radiates a whimsical charm. Its softened tones allow for a more delicate effect, making way for Miró to create a lovely piece which stands apart from his more iconic, boldy-colored and abstracted works. This twilight scene proves to be anything but – the bright red wing of a bird contrasts nicely with the yellow hue of the background while the shimmering blue of the crescent moon compliments nicely with the vibrant greens of the frog. Miró had only created a handful of these constellation-style prints during this period, making this work rare and incredibly special to include as part of any Miró collection. Created in 1952, this work was inspired by an original oil on canvas sharing the same title by Joan Miró. Printed by Galerie Maeght, Paris one year after the painting was produced, the piece is lettered EA in pencil in the lower left margin and signed and dated by Miró in the lower right: ‘Miró | 1952’ Catalogue Raisonné & COA: 1) Dupin, Jacques & Ariane Lelong-Mainaud. Joan Miró, Catalogue Raisonné – Paintings Vol. III: 1942 – 1955, Paris, 2001. Painting is listed and illustrated as cat. no. 894 on pg. 178. 2) Dupin, Jack. Joan Miró, Life & Work. Painting is listed and illustrated as cat. no. 782 on pg. 559. About the Framing: | |
| Style: | 20th Century Modern Master, Surrealism |
Biography of Joan Miro
Joan Miro (1893 - 1983)
Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.
In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. This year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography, and his first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936, Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year, he was commissioned to create a monumental work for the Paris World’s Fair.
Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in these two mediums. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, Miró was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of his drawings. Miró died December 25, 1983, in Palma de Mallorca, Spain.
