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Pablo Picasso, Owl
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Signed Pablo Picasso, Ceramic Madoura Sculpture, Owl  |
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| Artist: | Picasso, Pablo (1881 - 1973) |
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| Title: | Owl |
| Medium: | Picasso Madoura ceramic Earthenware Clay, Oxide Decoration on White Enamel in Blue |
| Image Size: | 9.75 in (24.77 cm) tall |
| Sheet Size: | 9.75 in (24.77 cm) tall |
| Signed: | This work contains guaranteed authentic 'Edition Picasso' and 'Madoura' Stamps on the bottom of the base. Written into the glaze is also the text, 'Edition Picasso Madoura' in black |
| Edition: | From the edition of 500 |
| Condition: | Excellent |
| Price: Item# 1453 | $SOLD Please visit the rest of our Picasso fine art collection |
| Historical Description: | |
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Unique and complicated form, reflective of Picasso’s signature style, and beautifully decorated, this is a marvelous original work! Using a standard symmetrical vase form, Picasso complicates the shape by adding a cropped cylinder to the center back portion of the vase. This interesting design choice is incorporated into the decoration, as Picasso uses the cropped cylinder to become the pinned back hair of the “Owl Woman.” The name, Owl Woman is likely inspired by the shape of the vase, as it was used in three other known ceramics that were painted as owl forms. The Owl Woman is the only piece that deviates from the standard owl decoration, making it a very interesting and unique work. Picasso’s merging of the female and animal forms is typical of his signature style, as he continued to explore transformative properties of the female figure throughout his career. The decoration, done exclusively in black on a white enamel plane, is truly beautiful. Created in 1951, this ceramic turned vase is constructed from white earthenware clay, with engobe and paraffin decoration on white enamel with black. From the edition of 500, this work contains guaranteed authentic ‘Edition Picasso’ and ‘Madoura’ Stamps on the bottom of the base. Written into the glaze is also the text, ‘Edition Picasso’ in black. The marking are pristine and the glaze is reflective and fresh, this work is in wonderful condition! Illustrated in:
FREESTANDING VASE PLACEMENT: | |
| Style: | cubism 20th century modern art ceramic |
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Biography of Pablo Picasso
Pablo Picasso (1881 - 1973)
"Yet Cubism and Modern art weren't either scientific or intellectual; they were visual and came from the eye and mind of one of the greatest geniuses in art history. Pablo Picasso, born in Spain, was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture.
"He was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Manet, Gustave Courbet, and Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain - all in the years 1899 to 1904.
"Before he struck upon Cubism, Picasso went through a prodigious number of styles - realism, caricature, the Blue Period, and the Rose Period. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and subjects focusing on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style is in Cleveland's Museum of Art, La Vie (1903), which was created in memory of a great childhood friend, the Spanish poet Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso's features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. Another outstanding Blue Period work, of 1903, is in the Metropolitan, The Blind Man's Meal. Yet another example, perhaps the most lyrical and mysterious ever, is in the Toledo Museum of Art, the haunting Woman with a Crow (1903).
"The Rose Period began around 1904 when Picasso's palette brightened, the paintings dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is in Washington, D.C., the National Gallery's large and extremely beautiful Family of Saltimbanques dating to 1905, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space.
"In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and fernale figures seen frontally or in distinct profile, almost like early Greek art. One of the best of these of 1906 is in the Albright-Knox Gallery in Buffalo, NY, La Toilette. Several pieces in this new style were purchased by Gertrude (the art patron and writer) and her brother, Leo Stein.
Picasso enjoyed creating his art on many media. From paintings to etchings to ceramics, all of his works are a testament to his skills. There are even Picasso prints that are worth more than unique original works.
