CASSATT, Mary, Femme Tenant Son Enfant Sur Les Genoux (Mother Jeanne Holding Her Baby)
Born in Allegheny City (Pennsylvania) - Died in Le Mesnil-Theribus (Oise) The daughter of a banker, she moved with her family to Paris in 1851. Fro… [Read biography »]



Signed Mary Cassatt (1845 - 1926), Drawing in a charcoal and warm graphite pencil on paper, Femme Tenant Son Enfant Sur Les Genoux (Mother Jeanne Holding Her Baby) ![]() |
| Artist: | Cassatt, Mary (1845 - 1926) |
|---|---|
| Title: | Femme Tenant Son Enfant Sur Les Genoux (Mother Jeanne Holding Her Baby) |
| Medium: | Drawing in a charcoal and warm graphite pencil on paper |
| Image Size: | 11.74 in x 8.5 in (30 x 21.5 cm) |
| Sheet Size: | 12.63 in x 9.38 in (32 x 23.9 cm) |
| Framed Size: | 33.25 in x 29.5 in (84.46 cm x 74.93 cm) |
| Signed: | Has the Marry Cassatt 'Mathilde X' collector's stamp in the lower right |
| Edition: | Unique original |
| Condition: | Excellent condition |
Price :Item# 1450 | $55,000 To speak directly with the Director, Alex Adelman, please call (510) 777-9970 / 1-800-805-7060. |
| Description: | |
Affectionate and maternal, this remarkable original drawing by Impressionist master Mary Cassatt is a rare and wonderful piece, which celebrates maternity and the gentle and intimate relationship between mother and child. Created c. 1908, this work features the 'Mathilde X' collector's stamp in the lower right. Breeskin notes the piece is also referred to as "Femme tenant son enfant sur les genoux.' This work was exhibited at Galerie AM Reitlinger, 'Dessins, Pastels, Peintures, Etudes par Mary Cassatt.' Acquired directly from Cassatt by her companion and housekeeper Mathilde Valet in 1927, this piece contains a remarkable provenance. Valet's collector's stamp, 'Mathilde X' appears in the lower right hand side of the drawing. Similar stamps appear on the reverse. The piece was sold in the Mathilde X sale in 1931 and again to Durand-Ruel, Paris 1966, remaining in the collection of Mrs. Carroll Petrie to our recent purchase. The piece maintains its original integrity, as it is in superb condition, the pencil drawing is crisp and fresh, and the original frame backing with collector's markings has been affixed to the new frame. Traditional and expressive scenes of mothers with children remained a consistent source of inspiration for Cassatt throughout her career. Unique original works of this caliber are rare and highly collectable. Collectibility is further enhanced because of the beauty and grace of the figures. The mother, 'Mother Jeanne' possesses a gentle loving expression as she gazes down on the infant child. The child's face is more loosely executed, as described by Cassatt authority Adelyn Breeskin, "a summary sketch of a mother's head looking down, seen in full face, and her baby's head in outline only" (301) . The rarity of this original work cannot be emphasized enough. This is a marvelous piece, essential to any serious collection of original drawings, Impressionist masters, and admirer's of Cassatt. PROVENANCE: Acquired directly from the artist by Mathilde Valet in 1927 (housekeeper and personal companion to Mary Cassatt) Mathilde X sale, Paris 1931 Durand-Ruel, Paris 1966 Mrs. Carroll Petrie Collection EXHIBITED: Galerie AM Reitlinger, 'Dessins, Pastels, Peintures, Etudes par Mary Cassatt, 1931 (cat. 146) Catalogue Raisonné & COA: 1. Breeskin, Adelyn Dohme. Mary Cassatt: A Catalogue Raisonne of the Oils, Pastels, Watercolors, and Drawings. 1970, listed as cat. no.922 on page 301. 2. "Mathilde X" collector's stamp documented as Lugt 2665a. 3. Dessins, Pastels, Peintures, Etudes par Mary Cassatt, 1931 (cat. 146) About the Framing: | |
| Style: | Impressionism |
Biography of Mary Cassatt
Mary Cassatt (1845 - 1926)
Born in Allegheny City (Pennsylvania) - Died in Le Mesnil-Theribus (Oise) The daughter of a banker, she moved with her family to Paris in 1851. From 1853 to 1855 she lived at Heidelberg and Darmstadt. From 1861-1865 she studied at the Pennsylvania Academy of Fine Arts in Philadelphia, then in the studio of Charles Chaplin in Paris. In 1868 she exhibited for the first time at the Salon. While studying at the Academy Raimondi in Parma in 1871, she copied Correggio and Parmigianino and became an admirer of Velazquez and Rembrandt. In 1873 she travelled to Madrid, Seville, Belgium and the Netherlands, and made copies especially of Velazquez and Rubens, before finally settling in Paris. There she met Degas in 1877, who suggested her joining the Impressionists. Her work was greatly influenced by Degas and Renoir, taking as principal subject portraits of women and children. Cassatt took part in the IV to VI and again in the VIII Impressionist exhibition. Her own work was shown by Durand-Ruel in 1891. In 1898 she visited the United States, went to Italy and Spain in 1901, and for the last time to the United States in 1908. In 1910 she became a member of the National Academy of Design in New York. In 1914 she was awarded the gold medal of the Pennsylvanian Academy of Art. Cassatt gradually lost her sight and was compelled to give up painting. It was due to her efforts that French Impressionism became known and understood in America, and also thanks to her initiative that the Havemeyer collection, now at the New York Metropolitan Museum, came into being.






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