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Pablo Picasso, Lion's Head
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Signed Pablo Picasso, Ceramic Madoura Sculpture, Lion's Head  |
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| Artist: | Picasso, Pablo (1881 - 1973) |
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| Title: | Lion's Head |
| Medium: | Picasso Madoura ceramic square plaque |
| Image Size: | 17 in x 17 in x 1 in (43.8 cm x 43.8 cm x 2.54 cm) |
| Sheet Size: | 17 in x 17 in x 1 in (43.8 cm x 43.8 cm x 2.54 cm) |
| Framed Size: | 38 1/2 in x 38 1/4 in (97.79 cm x 97.16 cm) |
| Signed: | This Work Is Stamped 'Empreinte Originale De Picasso,' And' On The Reverse In Addition To The 'Madoura Plein Feu' Publisher's Stamp |
| Edition: | Numbered On The Verso 12/200 In Black Ink Just Below Archive Number J.218. |
| Condition: | This Work Is In Excellent Condition |
| Price: Item# 1404 | $SOLD! |
| Historical Description: | |
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| The lion comes alive in this three-dimensional work, its diamond shape echoing that of a lion's mane rendering it one of Picasso's most vivid and stunning ceramics. Majestic, monumental, and daring are all words that can describe this piece, both in terms of subject matter and aesthetic value. The lion has a serene, almost joyous expression with a whimsical nature, evoking a lighthearted and childlike sentiment. Its bold, contrasting color with black surface tonalities are interrupted by the red clay beneath, accenting Picasso's signature stroke and expressive detail. Created in December 1968 - January 1969, this ceramic square plaque is classified as an 'original print' (Ramie 281) made from red earthenware clay, printed with engobe pad. This work is hand numbered on the verso 12/200 and is stamped 'Empreinte Originale de Picasso' in addition to the 'Madoura Plein Feu' publisher's stamp. Catalogue Raisonné & COA: 1. Bloch, Georges. Pablo Picasso: Catalogue of the Printed Ceramics, Vol. III 1949 - 1971, Editions Kornfeld et Klipstein: Berne, 1972. Listed and illustrated as catalogue raisonné no. 212 on pg. 180. 2. Ramié, Alain. Picasso: Catalogue of the edited ceramic works 1947-1971, Galerie Madoura: Vallauris, 1988. Listed and illustrated as catalogue raisonné no. 576 on pg. 281. 3. Ramié, Georges. Picasso's Ceramics, Viking Press: New York, 1976. Listed and illustrated as catalogue raisonné no. 656 on pg. 270. About the Framing: | |
| Style: | 20th Century Modern Art, Modern Artist, Cubism, Cubist |
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Biography of Pablo Picasso
Pablo Picasso (1881 - 1973)
"Yet Cubism and Modern art weren't either scientific or intellectual; they were visual and came from the eye and mind of one of the greatest geniuses in art history. Pablo Picasso, born in Spain, was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture.
"He was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Manet, Gustave Courbet, and Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain - all in the years 1899 to 1904.
"Before he struck upon Cubism, Picasso went through a prodigious number of styles - realism, caricature, the Blue Period, and the Rose Period. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and subjects focusing on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style is in Cleveland's Museum of Art, La Vie (1903), which was created in memory of a great childhood friend, the Spanish poet Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso's features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. Another outstanding Blue Period work, of 1903, is in the Metropolitan, The Blind Man's Meal. Yet another example, perhaps the most lyrical and mysterious ever, is in the Toledo Museum of Art, the haunting Woman with a Crow (1903).
"The Rose Period began around 1904 when Picasso's palette brightened, the paintings dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is in Washington, D.C., the National Gallery's large and extremely beautiful Family of Saltimbanques dating to 1905, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space.
"In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and fernale figures seen frontally or in distinct profile, almost like early Greek art. One of the best of these of 1906 is in the Albright-Knox Gallery in Buffalo, NY, La Toilette. Several pieces in this new style were purchased by Gertrude (the art patron and writer) and her brother, Leo Stein.
Picasso enjoyed creating his art on many media. From paintings to etchings to ceramics, all of his works are a testament to his skills. There are even Picasso prints that are worth more than unique original works.
