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HOME > INVENTORY > CHAGALL > Le Bouquet Vert et Violet (Green and Purple Bouquet), 1959

CHAGALL, Marc, Le Bouquet Vert et Violet (Green and Purple Bouquet), 1959

Marc Chagall was born July 7, 1887, in Vitebsk, Russia. From 1907 to 1910, he studied in Saint Petersburg, at the Imperial Society for the Protecti… [Read biography »]

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Signed Marc Chagall (1887 - 1985), Original Color Lithograph, Le Bouquet Vert et Violet (Green and Purple Bouquet), 1959

CHAGALL signed, Le Bouquet Vert et Violet (Green and Purple Bouquet), 1959

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CHAGALL signed, Le Bouquet Vert et Violet (Green and Purple Bouquet), 1959 (thumbnail 1)CHAGALL signed, Le Bouquet Vert et Violet (Green and Purple Bouquet), 1959 (thumbnail 2)CHAGALL signed, Le Bouquet Vert et Violet (Green and Purple Bouquet), 1959 (thumbnail 3)CHAGALL signed, Le Bouquet Vert et Violet (Green and Purple Bouquet), 1959 (thumbnail 4)
Artist: Chagall, Marc (1887 - 1985)
Title: Le Bouquet Vert et Violet (Green and Purple Bouquet), 1959
Reference: M.147
Medium: Original Color Lithograph
Image Size: 22 1/16 in x 16 15/16 in (56.03 cm x 43.03 cm)
Sheet Size: 25.6 in x 19.9 in (65 cm x 50.5 cm)
Framed Size: approx. 44 1/2 in x 36 3/4 in (113.03 cm x 93.35 cm)
Signed: Hand signed by Marc Chagall (1887-1985) in pencil in the lower right
Edition: Numbered 13/75 in pencil in the lower left
Condition: Excellent
Price 
:

Item# 1401
$32,000


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Description:

This magical and enchanting bouquet comes alive through Chagall's exquisite use of color, depth, and movement. Using consistent tones of green for the vase, the Eiffel Tower, and the figure on the left, the work explodes with color in depicting the Green and Purple Bouquet. The elaborate melding of pinks, purples, blues, and reds allow for a dizzying effect; the Bouquet is transformed into a chasm of color which radiates from the entire work. Often using the classic and romantic cityscape of Paris, Chagall incorporates his own nostalgia and mysticism using his signature expressive strokes and bold color. This piece is able to brighten any room in which it hangs, perfect for the coming Spring and Summer months.

Created in June, 1959, this work is numbered 13/75 in pencil in the lower left and printed on Arches wove paper. Published by Maeght, it is hand-signed by Marc Chagall in pencil in the lower right margin.

Catalogue Raisonné & COA:
It is fully documented and referenced in (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work) :

1. Mourlot, Fernand. The Lithographs of Chagall, vol. II, 1957 - 1962. Listed and illustrated as cat. no. 226 on pgs. 58-9.

2. Gauss, Ulrike, ed. Marc Chagall - The Lithographs, La Collection Sorlier. Listed and illustrated as cat. no. 226 on pg. 118.

About the Framing:
Framed in museum-quality, archival materials, this work is set in a Spanish style bronze leaf frame. The muted tones of the bronze moulding compliments the black, outer frame and also highlights the tones and textures of the highly detailed landscape. Le Bouquet Vert et Violet is completed with white, linen-wrapped mats and a matching gold inner fillet and set behind an archival Plexiglas cover.

Style: Modern Master
 

Biography of Marc Chagall

Marc ChagallMarc Chagall (1887 - 1985)

Marc Chagall was born July 7, 1887, in Vitebsk, Russia. From 1907 to 1910, he studied in Saint Petersburg, at the Imperial Society for the Protection of the Arts and later with Léon Bakst. In 1910, he moved to Paris, where he associated with Guillaume Apollinaire and Robert Delaunay and encountered Fauvism and Cubism. He participated in the Salon des Indépendants and the Salon d'Automne in 1912. His first solo show was held in 1914 at Der Sturm gallery in Berlin.

Chagall visited Russia in 1914, and was prevented from returning to Paris by the outbreak of war. He settled in Vitebsk, where he was appointed Commissar for Art in 1918. He founded the Vitebsk Popular Art School and directed it until disagreements with the Suprematists resulted in his resignation in 1920. He moved to Moscow and executed his first stage designs for the State Jewish Chamber Theater there. After a sojourn in Berlin, Chagall returned to Paris in 1923 and met Ambroise Vollard. His first retrospective took place in 1924 at the Galerie Barbazanges-Hodebert, Paris. During the 1930s, he traveled to Palestine, the Netherlands, Spain, Poland, and Italy. In 1933, the Kunsthalle Basel held a major retrospective of his work.

During World War II, Chagall fled to the United States. The Museum of Modern Art, New York, gave him a retrospective in 1946. He settled permanently in France in 1948 and exhibited in Paris, Amsterdam, and London. During 1951, he visited Israel and executed his first sculptures. The following year, the artist traveled in Greece and Italy. During the 1960s, Chagall continued to travel widely, often in association with large-scale commissions he received. Among these were windows for the synagogue of the Hadassah-Hebrew University Medical Center, Jerusalem, installed in 1962; a ceiling for the Paris Opéra, installed in 1964; a window for the United Nations building, New York, installed in 1964; murals for the Metropolitan Opera House, New York, installed in 1967; and windows for the cathedral in Metz, France, installed in 1968. An exhibition of the artist's work from 1967 to 1977 was held at the Musée du Louvre, Paris, in 1977-78, and a major retrospective was held at the Philadelphia Museum of Art in 1985. During his lifetime he also created popular lithographs, such as Maternity. Chagall died March 28, 1985, in Saint-Paul-de-Vence, France.