Fernand Leger Prints, Paintings,
Lithographs, Sculptures, and Art

Fernand Leger was a French painter, sculptor, and filmmaker
who presented the objects of a consumer society as the subject
of his paintings. Through his oil-on-canvas paintings, ceramic
sculptures, plaques, watercolor paintings, and lithographs, and
etchings, Leger developed his personal brand of cubism, coined
Tubism by art critic Louis Vauxcelles in 1911. Leger would later
be regarded as the forerunner of pop art.


Fernand Leger Prints, Paintings, Lithographs, Sculptures, and Art


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  • Visage aux deux mains (Face with Two Hands), 1954
    Fernand Léger
    Terracota low relief ceramic plaque; white clay with orange, yellow, blue, red, and black glazed enamel
    REQUEST PRICE/BEST OFFER
    W-5598

  • Les Acrobates (The Acrobats), 1954
    Fernand Leger
    Terracota low relief ceramic plaque; clay with black, red and white enamel
    REQUEST PRICE/BEST OFFER
    W-5699

  • Visage aux deux mains (Face with Two Hands), c. 1950
    Fernand Leger
    Low Relief Glazed Terracotta Plaque
    REQUEST PRICE/BEST OFFER
    W-5734

  • Nature Morte aux Fruits Verts (Still Life with Green Fruits), c. 1950
    Fernand Léger
    Glazed Ceramic Relief with Enamel
    REQUEST PRICE/BEST OFFER
    W-5593

  • Femme a la Cruche (Woman with Jug), 1928
    Fernand Léger
    Color Aquatint on Arches Paper
    SOLD
    W-5409

  • Le jardin d’enfants (The Children’s Garden, or Kindergarten)
    Fernand Leger
    Ceramic Sculpture
    REQUEST PRICE/BEST OFFER
    Item # 1982

  • Le Cheval sur fond jaune, 1953
    Fernand Leger
    Low Relief Glazed Ceramic Plaque
    REQUEST PRICE/BEST OFFER
    Item # 3537

  • Composition á l’arbre, 1948
    Fernand Leger
    Hand Signed Pen, Ink, & Watercolor
    SOLD
    Item # 2991

  • Le Grand Coq (The Large Rooster), 1952
    Fernand Leger
    Hand Signed Ceramic Sculpture
    REQUEST PRICE/BEST OFFER
    Item # 1889

  • Jaune II, c. 1927
    Fernand Leger
    Hand Woven Wool Tapestry
    REQUEST PRICE/BEST OFFER
    Item # 3798

  • Abstract Composition, 1953
    Fernand Leger
    Initialed Terracotta Plaque
    SOLD
    Item # 3397

  • La Racine Grise (The Gray Root), c. 1953
    Fernand Leger

    REQUEST PRICE/BEST OFFER
    Item # 4826

  • Composition sur fond Jaune, 1952
    Fernand Leger
    Hand Signed Color Lithograph
    REQUEST PRICE/BEST OFFER
    Item # 2676

  • Le Puits (The Well), 1951
    Fernand Leger
    Hand Signed Color Lithograph
    REQUEST PRICE/BEST OFFER
    Item # 3024

  • Composition aux dominos, 1947
    Fernand Leger
    Hand Signed Lithograph with Pochoir
    SOLD
    Item # 2668

  • Branches, c. 1955
    Fernand Leger
    Hand Signed Color Lithograph
    REQUEST PRICE/BEST OFFER
    Item # 2829

  • Nature Mort aux Fruits, 1948
    Fernand Leger
    Hand Signed Color Lithograph
    REQUEST PRICE/BEST OFFER
    Item # 2677

  • Les Constructeurs (The Builders), 1955
    Fernand Léger
    Color Lithograph
    SOLD
    W-5716

  • Chevreuse Août, 1951
    Fernand Leger
    Hand Signed Serigraph
    SOLD
    Item # 2875

  • La Fleur (The Flower), 1952
    Fernand Leger
    Hand Signed Color Lithograph
    SOLD
    Item # 3929

  • Matinée d’ivresse (Morning Rapture) from Les Illuminations, 1949
    Fernand Leger
    Hand Signed Color Lithograph & Pochoir
    SOLD
    Item # 2370

  • Visage aux deux mains (Face with Two Hands), c. 1950
    Fernand Leger
    Glazed Terracotta Plaque
    SOLD
    Item # 4213

  • L’enfant à l’accordéon, 1953
    Fernand Leger
    Signed Aquatint Colored by Serigraphy
    SOLD
    Item # 3136

  • Médaillon (Medallion)
    Fernand Leger
    Original Low Relief Glazed Ceramic Plaque
    SOLD
    Item # 5108

Why Leger ?

Fernand Leger's unique Cubism contains its own populist vocabulary. The French artist's monumental figures speak to everyone; his strong color work and graphic sensibility characterize his prints, lithographs, paintings, sculptures and art.

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Artistic Styles of Leger

20th Century French Modern Master, pochoir, ceramic and tapestries

Fernand Leger Complete Biography

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Fernand Leger
Fernand Leger (1881-1955)

Fernand Leger Biography

French painter and designer. From c.1909 Fernand Leger participated in the Cubist movement. He is generally considered one of its major masters but his curvilinear and tubular forms (he was for a time called a ‘tubist‘) contrasted with the fragmented forms preferred by Picasso and Braque. The First World War, during which he was gassed whilst serving as a stretcher-bearer, had a profound effect on Leger. His contact with men of different social classes and different walks of life came as a revelation: ‘I was abruptly thrust into a reality which was both blinding and new,’ he said. Henceforward he made it his ambition to create an art which should be accessible to all ranks of modem society.

In 1920 he met Le Corbusier and Ozenfant and in the early 1920s he was associated with their Purist movement. Fernand Leger’s paintings were static, with the precise and polished facture of machinery, and he had a fondness for including representations of mechanical parts.During the late 1920s and 1930s he also painted single objects isolated in space and sometimes blown up to gigantic size, In the inter-war years he expanded his range beyond easel painting, with murals and designs for the theatre and cinema. He was also busy as a teacher, notably at his own school, the Academie de I’Art Contemporain, and he traveled widely, making three visits to the USA in the 1930s. The connections he had made there stood him in good stead when he lived in America. During the Second World War he lived in the USA, teaching at Yale University, and at Mills College, California. Acrobats and cyclists were favorite subjects in his paintings of this time. From his return to France in 1945 his painting reflected more prominentlyhis political interest in the working classes. But its static, monumental style remained, with flat, unmodulated colours, heavy black contours, and a continuing concern with the contrast between cylindrical and rectilinear forms. in his later career Fernand Leger worked much on large decorative commissions, notably the windows and tapestries for the church at Audincourt (1951). Many honours came to him late in life, and a museum dedicated to him opened at Biot in France in 1957. In the catalogue of the exhibition Leger and Purist Paris’ (Tate Gallery, London, 1970), John Golding wrote of Leger: ‘No other major twentieth-century artist was to react to, and to reflect, such a wide range of artistic currents and movements . . . And yet he was to remain supremely independent as an artistic personality. Never at any moment in his career could he be described as a follower … But his originality lay basically in his ability to adapt the ideas and to a certain extent even the visual discoveries of others to his own ends.’ He saw the poetic value that lies in the clear delineation of everyday objects, the in trinsic beauty of modem machinery and the things which are mass-produced by machinery, and he favoured proletarian subjects, depicting them with the same clarity and precision as the themes taken from machine culture.

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