Art Under $5,000

Rembrandt, Harmensz van Rijn
The Tribute Money
Etching. 4 1/8 in x 3 in (10.5 cm x 7.6 cm). . According to Nowell-Usticke, a State II (of III); Biörklund State II (of II); White & Boon State II (of II); Hind State II (of II).
Item# 3613

The School of Rembrandt,
Adam and Eve by Amand Durand (Paris, 1831 - 1905) after Harmensz van Rijn Rembrandt
Etching. 7 3/4 in x 6 1/8 in (19.7 cm x 15.6 cm). . This work is a high quality heliogravure by Amand Durand (Paris, 1831 - 1905) after the original etching by Harmensz van Rijn Rembrandt (Leiden, 1606 - Amsterdam, 1669).
Item# 3326

The School of Rembrandt,
Untitled Study of Three Heads
Etching. 4 5/8 in x 2 1/8 in (11.7 cm x 5.4 cm). Signed and dated in the plate in the lower left.. Uncatalogued original etching from the school of Rembrandt.
Item# 3263

Rembrandt, Harmensz van Rijn
Jakob Thomasz Haringh (The Young Haring), 1655
Etching. 4 5/8 in x 4 in (11.8 cm x 10.2 cm). This work is signed and dated in the plate along the right [see window pane] by Harmensz van Rijn Rembrandt (Leiden, 1606- Amsterdam, 1669): 'Rembrandt f. 1655'.. A Nowell-Usticke early State IV (of V), the plate cut down to head and shoulders only; Hind State V (of V); Biörklund State V (of V); Boon & White State V (of V).
Item# 3247

The School of Rembrandt,
Untitled Study of Two Men
Etching. 7 1/4 in x 4 in (18.4 cm x 10.2 cm). Signed and dated in the plate in the lower right 'Rembrandt 1633.' . Uncatalogued original etching printed on Oriental paper from the School of Rembrandt.
Item# 3245

The School of Rembrandt,
Self Portrait with Plumed Cap and Lowered Sabre by Ignace-Joseph de Claussin
Etching. 5 1/4 in x 4 1/8 in (13.4 cm x 10.5 cm). Signed in the plate in the lower right (just above the right shoulder) 'Rembrandt | f. 1634'. . This etching is an early 19th century contemporary copy by Ignace-Joseph de Claussin (1766 - 1844) of the original etching by Rembrandt from 1634.
Item# 2702

Rembrandt, Harmensz van Rijn
Lieven Van Coppenol, The Larger Plate, c. 1658
Etching. 5 5/8 in x 5 3/16 in (14.3 cm x 13.2 cm). . According to Nowell-Usticke, this work is a State IX/X (of XI) impression. The plate has been cut down to the head only with a 16 mm lower margin. The impression is sharp and clear. Björklund State VI (of VI); Hind State VI (of VI).
Item# 3876

The School of Rembrandt,
Bald Old Man in Right Profile, Small Bust
Etching. 2 3/8 in x 2 1/4 in (6 cm x 5.7 cm). Signed and dated in the plate in the lower left, 'Rembrandt f.1636.. This work is a copy after the original etching by Harmensz van Rijn Rembrandt (Leiden, 1606 - Amsterdam, 1669).
Item# 3880

The School of Rembrandt,
Young Man in a Velvet Cap, with Books Beside Him
Etching. 3 11/16 in x 3 3/16 in (9.4 cm x 8.1 cm). Signed and dated in the plate in the upper left, 'Rembrandt f.1637.. This work is a copy after the original etching by Harmensz van Rijn Rembrandt (Leiden, 1606 - Amsterdam, 1669).
Item# 3881

Rembrandt, Harmensz van Rijn
Beggar Woman Leaning on a Stick, 1646
Etching. 3 3/16 in x 2 1/2 in (8.2 cm x 6.3 cm). Signed and dated in the plate by Harmensz van Rijn Rembrandt (Leiden, 1606- Amsterdam, 1669) 'Rembrandt f. 1646' in the lower left.. According to Nowell-Usticke, this work is a State V (of VI) impression; Hind State II (of II); Biörklund State II (of II); a very uncommon work with approximately 75-125 known impressions (Usticke 12, B. 170).
Item# 4037

Rembrandt, Harmensz van Rijn
Beggar Man and Woman Conversing, 1630
Etching. 3 1/16 in x 2 1/2 in (7.8 cm x 6.6 cm). This work is signed by Harmensz van Rijn Rembrandt (Leiden, 1606 - Amsterdam, 1669) in the plate in the lower left, 'RHL 1630.'. According to Nowell-Usticke, a State III (of III) impression; Hind State II (of II); Biörklund State I (of I).
Item# 4039

The School of Rembrandt,
Untitled Study of Four Women's Heads
Etching. 6 x 2 3/4 in (16 cm x 7.25 cm). Signed and dated in the plate in the upper right 'Rembrandt f. 1639' . Uncatalogued original etching from the school of Rembrandt.
Item# 2866

Rembrandt, Harmensz van Rijn
Old Beggar Woman with Gourd, c. 1630
Etching. 4 1/8 in x 13/4 in (10.3 cm x 4.6 cm). . According to Nowell-Usticke, this work is an intermediate State I (of I); Biörklund's State II (of II); White and Boon's State II (of II); printed on a fine laid paper.
Item# 2807

The School of Rembrandt,
The Hog
Etching. 7 in x 5 5/8 in (17.8 cm x 14.3 cm). Signed in the plate in the lower right, 'Rembrandt f 1643.' . This etching is a copy of the original etching by Rembrandt from 1643.
Item# 2762

The School of Rembrandt,
Self Portrait with Plumed Cap and Lowered Sabre by Ignace-Joseph de Claussin
Etching. 5 1/4 in x 4 1/8 in (13.4 cm x 10.5 cm). Signed in the plate in the lower right (just above the right shoulder) 'Rembrandt | f. 1634'. . This etching is an early 19th century contemporary copy by Ignace-Joseph de Claussin (1766 - 1844) of the original etching by Rembrandt from 1634.
Item# 2702

Rembrandt, Harmensz van Rijn
Beggar Leaning on a Stick, Tiny Plate, c. 1631
Etching. 1 5/8 in x 7/8 in (4.2 cm x 2.1 cm). This work is signed by Harmensz van Rijn Rembrandt (Leiden, 1606 - Amsterdam, 1669) in the plate in the upper right 'RH in.'. According to Nowell-Usticke, this work is from the only state, an extremely rare print with around 25 impressions in existence; this work is accepted by some, including Nowell-Usticke, and not accepted by others such as Biörklund.
Item# 4040

Picasso, Pablo
Still Life, 1952
Unique Ceramic Madoura Sculpture. DIMENSIONS: 13 in x 13 in (33 cm x 33 cm). This work is stamped on the reverse with the 'MADOURA PLEIN FEU' and 'EMPREINTE ORIGINALE DE PICASSO' stamps; 'MADE IN FRANCE' hand applied in yellow paint on verso. Dated in the clay in the lower right in reverse, '22.12.52.' . Unique
Item# 2987

Rembrandt, Harmensz van Rijn
Beggar Leaning on a Stick, Tiny Plate, c. 1631
Etching. 1 5/8 in x 7/8 in (4.2 cm x 2.1 cm). This work is signed by Harmensz van Rijn Rembrandt (Leiden, 1606 - Amsterdam, 1669) in the plate in the upper right 'RH in.'. According to Nowell-Usticke, this work is from the only state, an extremely rare print with around 25 impressions in existence; this work is accepted by some, including Nowell-Usticke, and not accepted by others such as Biörklund.
Item# 4040

Rembrandt, Harmensz van Rijn
Beggar Man and Woman Conversing, 1630
Etching. 3 1/16 in x 2 1/2 in (7.8 cm x 6.6 cm). This work is signed by Harmensz van Rijn Rembrandt (Leiden, 1606 - Amsterdam, 1669) in the plate in the lower left, 'RHL 1630.'. According to Nowell-Usticke, a State III (of III) impression; Hind State II (of II); Biörklund State I (of I).
Item# 4039

Rembrandt, Harmensz van Rijn
Beggar Woman Leaning on a Stick, 1646
Etching. 3 3/16 in x 2 1/2 in (8.2 cm x 6.3 cm). Signed and dated in the plate by Harmensz van Rijn Rembrandt (Leiden, 1606- Amsterdam, 1669) 'Rembrandt f. 1646' in the lower left.. According to Nowell-Usticke, this work is a State V (of VI) impression; Hind State II (of II); Biörklund State II (of II); a very uncommon work with approximately 75-125 known impressions (Usticke 12, B. 170).
Item# 4037

The School of Rembrandt,
Untitled Study of Four Women's Heads
Etching. 6 x 2 3/4 in (16 cm x 7.25 cm). Signed and dated in the plate in the upper right 'Rembrandt f. 1639' . Uncatalogued original etching from the school of Rembrandt.
Item# 2866

Rembrandt, Harmensz van Rijn
Old Beggar Woman with Gourd, c. 1630
Etching. 4 1/8 in x 13/4 in (10.3 cm x 4.6 cm). . According to Nowell-Usticke, this work is an intermediate State I (of I); Biörklund's State II (of II); White and Boon's State II (of II); printed on a fine laid paper.
Item# 2807

The School of Rembrandt,
Untitled Study of Two Men
Etching. 7 1/4 in x 4 in (18.4 cm x 10.2 cm). Signed and dated in the plate in the lower right 'Rembrandt 1633.' . Uncatalogued original etching printed on Oriental paper from the School of Rembrandt.
Item# 3245

Rembrandt, Harmensz van Rijn
Jakob Thomasz Haringh (The Young Haring), 1655
Etching. 4 5/8 in x 4 in (11.8 cm x 10.2 cm). This work is signed and dated in the plate along the right [see window pane] by Harmensz van Rijn Rembrandt (Leiden, 1606- Amsterdam, 1669): 'Rembrandt f. 1655'.. A Nowell-Usticke early State IV (of V), the plate cut down to head and shoulders only; Hind State V (of V); Biörklund State V (of V); Boon & White State V (of V).
Item# 3247

The School of Rembrandt,
Untitled Study of Three Heads
Etching. 4 5/8 in x 2 1/8 in (11.7 cm x 5.4 cm). Signed and dated in the plate in the lower left.. Uncatalogued original etching from the school of Rembrandt.
Item# 3263

The School of Rembrandt,
Young Man in a Velvet Cap, with Books Beside Him
Etching. 3 11/16 in x 3 3/16 in (9.4 cm x 8.1 cm). Signed and dated in the plate in the upper left, 'Rembrandt f.1637.. This work is a copy after the original etching by Harmensz van Rijn Rembrandt (Leiden, 1606 - Amsterdam, 1669).
Item# 3881

The School of Rembrandt,
Bald Old Man in Right Profile, Small Bust
Etching. 2 3/8 in x 2 1/4 in (6 cm x 5.7 cm). Signed and dated in the plate in the lower left, 'Rembrandt f.1636.. This work is a copy after the original etching by Harmensz van Rijn Rembrandt (Leiden, 1606 - Amsterdam, 1669).
Item# 3880

Rembrandt, Harmensz van Rijn
Lieven Van Coppenol, The Larger Plate, c. 1658
Etching. 5 5/8 in x 5 3/16 in (14.3 cm x 13.2 cm). . According to Nowell-Usticke, this work is a State IX/X (of XI) impression. The plate has been cut down to the head only with a 16 mm lower margin. The impression is sharp and clear. Björklund State VI (of VI); Hind State VI (of VI).
Item# 3876

Rembrandt, Harmensz van Rijn
The Tribute Money
Etching. 4 1/8 in x 3 in (10.5 cm x 7.6 cm). . According to Nowell-Usticke, a State II (of III); Biörklund State II (of II); White & Boon State II (of II); Hind State II (of II).
Item# 3613

The School of Rembrandt,
Adam and Eve by Amand Durand (Paris, 1831 - 1905) after Harmensz van Rijn Rembrandt
Etching. 7 3/4 in x 6 1/8 in (19.7 cm x 15.6 cm). . This work is a high quality heliogravure by Amand Durand (Paris, 1831 - 1905) after the original etching by Harmensz van Rijn Rembrandt (Leiden, 1606 - Amsterdam, 1669).
Item# 3326

Durer, Albrecht
The Nailing to the Cross (The Small Passion), 1612
Woodcut. 4 15/16 in x 3 3/4 in (12.5 cm x 9.5 cm). This work is monogrammed in the woodblock 'AD' in the lower right.. This work is from the Italian edition of 1612, with Italian text on verso.
Item# 4262

Durer, Albrecht
Christ Before Pilate (The Small Passion), 1612
Woodcut. 5 in x 3 13/16 in (12.7 cm x 9.7 cm). This work is monogrammed in the woodblock 'AD' in the lower center.. This work is from the Italian edition of 1612, with Italian text on verso.
Item# 4247

Vasarely, Victor
Cube, c. 1970
Aluminum Silkscreen. DIMENSIONS: 6 3/4 in x 6 3/4 in x 6 3/4 in (17.1 cm x 17.1 cm x 17.1 cm). . Published by Denise René
Item# 3435

Vasarely, Victor
Cube, c. 1970
Aluminum Silkscreen. DIMENSIONS: 6 3/4 in x 6 3/4 in x 6 3/4 in (17.1 cm x 17.1 cm x 17.1 cm). . Published by Denise René
Item# 3433

Vasarely, Victor
Cube, c. 1970
Aluminum Silkscreen. DIMENSIONS: 6 3/4 in x 6 3/4 in x 6 3/4 in (17.1 cm x 17.1 cm x 17.1 cm). . Published by Denise René
Item# 3431

Durer, Albrecht
Harrowing of Hell or Christ in Limbo (The Small Passion), 1612
Woodcut. 4 7/8 x 3 3/4 in (12.4 cm x 9.5 cm). This work is monogrammed in the woodblock 'AD' in the lower right.. This work is from the Italian edition of 1612, with Italian text on verso.
Item# 4263

Braque, Georges
Le char de Médée, 1960
Lithograph. 22 3/4 in x 17 5/8 in (57.8 cm x 44.8 cm). This work is hand-signed by Georges Braque (Argenteuil, Val-d'Oise, 1882 - Paris, 1963) in white in the lower left margin..
Item# 3134

Durer, Albrecht
The Bearing of the Cross (The Small Passion), 1612
Woodcut. 4 15/16 in x 3 3/4 in (12.5 cm x 9.5 cm). This work is monogrammed in the woodblock 'AD' in the lower right.. This work is from the Italian edition of 1612, with Italian text on verso.
Item# 4260

Durer, Albrecht
Pilate Washing His Hands (The Small Passion), 1612
Woodcut. 4 7/8 in x 3 7/8 in (12.6 cm x 9.8 cm). This work is monogrammed in the woodblock 'AD' in the lower left.. This work is from the Italian edition of 1612, with Italian text on verso.
Item# 4252

Renoir, Pierre-Auguste
Etude de femme nue, assise, variante (Study of Seated Female Nude), c. 1904
Lithograph. 6 7/8 in x 4 15/16 in (17.3 cm x 12. 5 cm). Signed in the stone 'Renoir' in the lower left.. From the edition of 50 on Japan paper (total edition of 1000, 1-50 on Japan, 51-1000 on vellum); this work is from the second state.
Item# 3056

Vlaminck, Maurice de
Entrée de Village II (La Route de Francheville), 1924
Lithograph. 13 3/16 in x 9 1/2 in (33.5 cm x 24.3 cm). This work is hand signed by Maurice de Vlaminck (Paris, 1876- Rueil-la-Gadeliere, 1958) in pencil in the lower right margin; also signed in the stone in black in the lower right 'Vlaminck.'. A State II (of II) impression with the signature; numbered from the edition of 25 signed works in the lower left margin (total edition of 25, 25 signed and 25 unsigned). This piece is printed on Chine Volant by Landelle, Maison Duchâtel, Paris
Item# 3090

Durer, Albrecht
The Betrayal of Christ (The Small Passion), 1612
Woodcut. 5 in x 3 3/4 in (12.7 cm x 9.5 cm). This work is monogrammed in the woodblock 'AD' in the lower right.. This work is from the Italian edition of 1612, with Italian text on verso.
Item# 4240

Durer, Albrecht
Christ Before Herod (The Small Passion), 1612
Woodcut. 4 7/8 in x 3 13/16 in (12.4 cm x 9.7 cm). This work is monogrammed in the woodblock 'AD' in the lower left.. This work is from the Italian edition of 1612, with Italian text on verso.
Item# 4243

Agam, Yaacov
Memorie #2, c. 1990
Original Color Agamograph. 15 1/8 in x 13 in (38.4 cm x 33 cm). This work is hand signed by Yaacov Agam (Rishon LeZion, 1928 - ) in blue ink in the lower right margin. . Numbered 10/25 AP in blue ink in the lower left margin.
Item# 3301

Durer, Albrecht
Ecce Homo-Christ Presented to the People (The Small Passion), 1612
Woodcut. 4 7/8 in x 3 3/4 in (12.6 cm x 9.5 cm). This work is monogrammed in the woodblock 'AD' in the lower center.. This work is from the Italian edition of 1612, with Italian text on verso.
Item# 4251

Durer, Albrecht
The Flagellation (The Small Passion), 1612
Woodcut. 5 in x 3 3/4 in (12.7 cm x 9.5 cm). This work is monogrammed in the woodblock 'AD' in the lower center.. This work is from the Italian edition of 1612, with Italian text on verso.
Item# 4245

Agam, Yaacov
Meridia from Mexico Suite, 1985
Original Color Agamograph. 15 in x 14 in (38.1 cm x 35.6 cm). This work is hand signed by Yaacov Agam (Rishon LeZion, 1928 - ) in blue marker in the lower right margin. . Numbered 16/99 in blue marker in the lower left margin.
Item# 3286

Durer, Albrecht
Christ Before Annas (The Small Passion), 1612
Woodcut. 5 in x 3 13/16 in (12.7 cm x 9.7 cm). This work is monogrammed in the woodblock 'AD' in the lower right.. This work is from the Italian edition of 1612, with Italian text on verso.
Item# 4248

Durer, Albrecht
Christ Washing St. Peter's Feet (The Small Passion), 1612
Woodcut. 5 in x 3 13/16 in (12.7 cm x 9.7 cm). This work is monogrammed in the woodblock 'AD' in the lower right.. This work is from the Italian edition of 1612, with Italian text on verso.
Item# 4232

Durer, Albrecht
The Deposition or The Descent from the Cross (The Small Passion), 1612
Woodcut. 4 15/16 in x 3 3/4 in (12.5 cm x 9.5 cm). This work is monogrammed in the woodblock 'AD' in the lower left.. This work is from the Italian edition of 1612, with Italian text on verso.
Item# 4267

Durer, Albrecht
Noli Me Tangere (The Small Passion), 1612
Woodcut. 4 15/16 in x 3 7/8 in (12.5 cm x 9.8 cm). This work is monogrammed in the woodblock 'AD' in the lower left.. This work is from the Italian edition of 1612, with Italian text on verso.
Item# 4280

Durer, Albrecht
The Lamentation (The Small Passion), 1612
Woodcut. 5 in x 3 13/16 in (12.7 cm x 9.7 cm). This work is monogrammed in the woodblock 'AD' in the lower center.. This work is from the Italian edition of 1612, with Italian text on verso.
Item# 4264

Agam, Yaacov
Meridia from Mexico Suite, 1985
Original Color Agamograph. 15 in x 14 in (38.1 cm x 35.6 cm). This work is hand signed by Yaacov Agam (Rishon LeZion, 1928 - ) in blue marker in the lower right margin. . Numbered 34/99 in blue marker in the lower left margin.
Item# 3983

Durer, Albrecht
The Entombment (The Small Passion), 1612
Woodcut. 5 in x 3 13/16 in (12.7 cm x 9.7 cm). This work is monogrammed in the woodblock 'AD' in the lower left.. This work is from the Italian edition of 1612, with Italian text on verso.
Item# 4266

Schongauer, Martin
The Matchmaker, c. 17th century
Engraving. 6 1/4 in x 4 3/8 in (15.9 cm x 11.1 cm). This work is monogrammed in the plate with Martin Schongauer's initials, 'M + S' in the lower right. Inspired by a drawing by Martin Schongauer in conjunction with the Schongauer engraving of the Two Turks (Lehrs 89). The plate of this work is preserved in the Praun Collection, Nuremberg.
Item# 2477

Braque, Georges
La Charrue (The Plough), 1960
Lithograph. 12 in x 19 in (30.5 cm x 48.3 cm). This work is hand signed by Georges Braque (Argenteuil-sur-Seine, 1882- Paris, 1963) in pencil in the lower right margin.. Numbered from the edition of 150 in pencil in the lower left margin; printed and published by Maeght, Paris.
Item# 2784

Renoir, Pierre-Auguste
Femme Nue Assise, c. 1906
Etching. 9 in x 7 in (18.8 cm x 14.9 cm). . From the first and only state, published in L'Histoire des peintres impressionnistes by Théodore Duret, Paris, Floury, 1906; printed on Holland paper.
Item# 3278

Vasarely, Victor
Helios, 1967
Silkscreen. 11 13/16 in x 11 13/16 in (30 cm x 30 cm). . From an unknown edition
Item# 3574

van Dyck, Anthony
Hubertus Vanden Eynden (Hubert Van den Eynden), c. 1645
Engraving. 8 7/8 in x 6 in (22.5 cm x 15.2 cm). Signed in the plate 'Ant. van Dyck pinxit', in the lower left; also signed "Vorsterman fculp" in the lower left. . A Mauquoy-Hendrickx State VII (of VII), engraved by Lucas Vorsterman (Zaltbommel, 1595 - Antwerp, 1675) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with a partial unidentified watermark.
Item# 3705

van Dyck, Anthony
Diego Felipe de Guzman, c. 1641
Engraving. 9 5/8 in x 6 7/8 in (24.4 cm x 17.5 cm). Signed in the plate 'Ant. van Dyck pinxit' in the lower center; also signed 'Paul. Pontius fculp' in the lower left. . A Mauquoy-Hendrickx State II (of IV) before the Giles Hendrickx edition engraved by Paulus Pontius (Antwerp, 1603 - Antwerp, 1658) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with a partial unidentified watermark.
Item# 3704

Castiglione, Giovanni Benedetto
Man with a Long Beard, Wearing a Headdress and Fur Cap, Facing Right, c. 1640
Etching. 7 3/8 in x 5 3/8 in (18.7 cm x 13.7 cm). This work is signed in the plate in the upper right with the artist's monogram followed by the inscription 'Castilione.' . From the first and only state; this etching belongs to the series known as the "Large Studies of Heads in Oriental Headdress."
Item# 3800

Castiglione, Giovanni Benedetto
Man Wearing a Small Turban and a Tie Fastened Around His Neck, Facing Left
Etching. 4 1/4 in x 3 3/8 in (10.8 cm x 8.6 cm). This work is signed in the plate in the upper left with the artist's monogram followed by the inscription 'Castilione | Genovese.' . From the first and only state; this etching belongs to the series known as the "Small Studies of Heads in Oriental Headdress."
Item# 3801

Vasarely, Victor
Untitled
Original Screened Multiple. 9 in x 8 3/4 in (22.9 cm x 22.2 cm). . From the unsigned, unnumbered edition
Item# 3817

van Dyck, Anthony
Cornelius Satchleven (Corneille Saftleven), c. 1641
Engraving. 9 1/4 in x 6 1/8 in (23.5 cm x 15.6 cm). Signed in the plate 'Ant. van Dyck pinxcit' in the lower left; also signed "Vorsterman fculp" in the lower left. . A Mauquoy-Hendrickx State III (of V) before the Giles Hendrickx edition, engraved by Lucas Vorsterman (Zaltbommel, 1595 - Antwerp, 1675) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with a partial unidentified watermark.
Item# 3682

Vasarely, Victor
Untitled
Mixed Media. 10 1/8 in x 10 1/8 in (25.7 cm x 25.7 cm). Hand signed by Victor Vasarely (Pécs, 1906 - Paris, 1997) in black ink in the lower center. . From an unknown edition.
Item# 3654

van Dyck, Anthony
Joannes Baptista Barbe (Jean-Baptiste Barbé), c. 1641
Engraving. 9 1/2 in x 6 1/4 in (24.1 cm x 15.9 cm). Signed in the plate 'Ant. van Dyck pinxit', in the lower left; also signed "S.a Bolfwert fculp" in the lower left. . A Mauquoy-Hendrickx State VI (of VIII) before the Giles Hendrickx edition, engraved by S.a Bolswert (Bolswert, 1586 - Antwerp, 1659) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641).
Item# 3680

Appel, Karel
Personnages, 1973
Lithograph. 26 in x 20 1/2 in (66 cm x 52.1 cm). This work is hand-signed and dated by Karel Appel (Amsterdam, 1921 - Zürich, 2006) 'Appel 1973' in pencil in the lower right margin.. Numbered 74/120 (from the edition of 120) in pencil in the lower left margin.
Item# 3423

van Dyck, Anthony
Thomas Francois de Savoie, Prince de Carignan (Thomas Francis, Prince of Carignano), c. 1645
Engraving. 9 1/4 in x 7 1/4 in (23.5 cm x 18.4 cm). Signed in the plate 'Ant. van Dyck pinxit', in the lower center; also signed "Paul Pontius fculp" in the lower left. . A Mauquoy-Hendrickx State IV (of IV) from the Giles Hendrickx edition, engraved by Paulus Pontius (Antwerp, 1603 - Antwerp, 1658) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on fine paper with 2 partial unidentified watermarks.
Item# 3666

van Dyck, Anthony
Maria Clara de Croiio (Marie-Claire de Croy), c. 1645
Engraving. 10 5/16 in x 7 7/8 in (26.2 cm x 20 cm). Signed in the plate 'Ant. van Dyck pinxcit' in the lower left; also signed 'C?nraerdus Waumans fculpsit' in the lower center. . A Mauquoy-Hendrickx State I (of II), engraved by Conrad Waumans (Antwerp 1619 - ?) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with Agnus Dei (Lamb of God) Crowned Shield watermark (Mauquoy-Hendrickx no. 278), dating the piece to c. 1645-55.
Item# 3683

Kollwitz, Käthe
Aus vielen Wunden blutest du, o Volk (You Bleed from Many Wounds, O People), 1896
Etching. 5 in x 13 1/4 in (12.6 cm x 33.7 cm) . . From the edition of the Becke between 1946/48 and 1963/65; According to Knesebeck, this work is a State IV c (of IV d).
Item# 2887

Agam, Yaacov
Zahav Ner Schniem, 1990
Serigraph. 11 3/8 in x 10 1/4 in (28.9 cm x 26 cm). This work is hand signed by Yaacov Agam (Rishon LeZion, 1928-) in blue ink in the lower right. . Numbered in pencil from the edition of 27 (6 hors de commerce and 10 artist's proofs also exist).
Item# 3239

Miro, Joan
Lithograph III from Miró, Obra Inedita Recent, 1964
Lithograph. 17 3/16 in x 12 in (43.7 cm x 30.5 cm). This work is initialed 'M' by Joan Miró (Barcelona, 1893 - Palma, 1983) in pencil in the lower right.. Numbererd 84/100 in pencil in the lower left; published by Sala Gaspar, Barcelona and printed on Guarro paper.
Item# 2831

Miro, Joan
Lithograph IX from Miró, Obra Inedita Recent, 1964, M. 424
Lithograph. 17 3/16 in x 12 in (43.7 cm x 30.5 cm). This work is initialed 'M' by Joan Miró (1893-1983) in pencil in the lower right.. Numbered 58/100 in pencil in the lower left on Guarro paper; published by Sala Gaspar, Barcelona.
Item# 2662

Renoir, Pierre-Auguste
Jeune fille en buste et etudes de têtes (ou Gabrielle) [Three Sketches of Faces, Gabrielle]
Lithograph. 10 5/8 in x 8 1/4 in (27 cm x 21 cm). Initialed 'R' in the lower right corner in the stone.. From the edition of 100.
Item# 2985

Renoir, Pierre-Auguste
Claude Renoir, de Trois-Quarts à Droite (Claude Renoir, Three-Quarters to the Right), 1908
Etching. 6 1/2 in x 5 1/4 in (16.5 cm x 13.3 cm). . Numbered 55/100 in pencil in the lower left margin. From the second state in black and white before the cancelled plate featuring a plate mark all around with wide margins
Item# 2136

Miro, Joan
Lithograph VIII from Miró, Obra Inedita Recent, 1964
Lithograph. 8 5/8 in x 12 in (21.9 cm x 30.5 cm). This work is initialed 'M' by Joan Miró (Barcelona, 1893 - Palma, 1983) in pencil in the lower right.. Numbered 58/100 in pencil in the lower left on Guarro paper; published by Sala Gaspar, Barcelona.
Item# 2661

Miro, Joan
Lithograph VII from Miró, Obra Inedita Recent, 1964
Lithograph. 8 5/8 in x 12 in (21.9 cm x 30.5 cm). This work is initialed 'M' by Joan Miró (Barcelona, 1893 - Palma, 1983) in pencil in the lower right.. Numbered 58/100 in pencil in the lower left on Guarro paper; published by Sala Gaspar, Barcelona.
Item# 2659

Renoir, Pierre-Auguste
Richard Wagner, c. 1900
Lithograph. 12 in x 16 1/4 in (30.5 cm x 41.3 cm). . From the edition of 100.
Item# 2642

Magritte, Rene
La page blanche (The White Page)
Lithograph. 23 9/16 in x 19 3/4 in (50.2 cm x 59.8 cm). Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici with the ADAGP blindstamp.. Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte); published and printed by Philippe Moreno Paris in 2003.
Item# 3127

Magritte, Rene
Le bouquet tout fait (The Ready-Made Bouquet)
Lithograph. 24 1/8 in x 19 in (61.3 cm x 48.3 cm). Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici with the ADAGP blindstamp.. Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte); published and printed by Philippe Moreno Paris in 2003.
Item# 4013

Rouault, Georges
Pecheur (Fisherman) from Passion, 1936
Etching Aquatint. 12 1/2 in x 8 1/2 in (31.8 cm x 21.6 cm). This work is hand-signed by Georges-Rouault (Paris, 1871- Paris, 1958) in bluish black ink in the lower right margin; signed and dated in the plate 'GR 1935' in black in the lower left of the image. . Rare, ink-signed progressive proof in black and grey printed on watermarked "verge de Montval" heavy cream colored laid paper; it is our belief that this proof accompanied the edition of 40 black ink impressions (from the total edition of 2
Item# 2945

Magritte, Rene
Golconde (Golconda)
Lithograph. 24 1/2 in x 19 7/16 in (62.2 cm x 49.3 cm). Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici.. Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte); published and printed by Philippe Moreno Paris in 2003.
Item# 4011

Magritte, Rene
La belle captive (The Fair Captive)
Lithograph. 27 1/4 in x 19 3/8 in (69.2 cm x 49.2 cm). Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici.. Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte); published and printed by Philippe Moreno Paris in 2003.
Item# 4009

Magritte, Rene
La Bataille de l'Argonne (The Battle of the Argonne)
Lithograph. 27 1/4 in x 19 3/16 in (69.2 cm x 48.8 cm). Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici.. Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte); printed by Philippe Moreno, Paris, 2003.
Item# 4005

Magritte, Rene
La Flêche de Zenon (Zeno's Arrow), 1964
Lithograph. 17 3/4 in x 15 in (45.1 cm x 38.1 cm). Facsimile signed 'Magritte' in graphite color in the lower right margin, and also initialed in pencil by Charley Herscovici, President of the Fondation Magritte and of the ADAGP. Bearing the ADAGP blindstamp in the lower left margin and the Magritte . Numbered 270/275 in pencil in the lower left margin; created aside from 45 artist's proofs labeled EA (épreuve d'artiste) and numbered 1-45, of which 15 are reserved for the Succession Magritte; published and printed by Philippe Moreno, Paris.
Item# 3769

Magritte, Rene
Le château des Pyrénées (Castle in the Pyrenees)
Lithograph. 27 15/16 in x 17 13/16 in (70.9 cm x 45.2 cm). Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici.. Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte); published and printed by Philippe Moreno Paris in 2003.
Item# 4124

Magritte, Rene
La corde sensible (Heartstring)
Lithograph. 19 in x 14 3/4 in (48.3 cm x 37.5 cm). Facsimile signed 'Magritte' in graphite color in the lower right margin, and also initialed in pencil by Charley Herscovici, President of the Fondation Magritte and of the ADAGP. . Numbered 267/275 in pencil in the lower left margin; aside from 45 artist's proofs labeled EA (épreuve d'artiste) and numbered 1-45, of which 15 are reserved for the Succession Magritte; published and printed by Philippe Moreno, Paris.
Item# 3973

Magritte, Rene
Le grand style (Great Style)
Lithograph. 26 1/8 in x 19 7/16 in (66.4 cm x 49.4 cm). Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici with the ADAGP blindstamp.. Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte); published and printed by Philippe Moreno, Paris, 2003.
Item# 3853

Magritte, Rene
La magie noir (Black Magic)
Lithograph. 19 7/10 in x 14 7/10 in (50 cm x 37.3 cm). Facsimile signed 'Magritte' in graphite color in the lower right margin, and also initialed in pencil by Charley Herscovici, President of the Fondation Magritte and of the ADAGP. . Numbered from the edition of 275 in pencil in the lower left margin; aside from 45 artist's proofs labeled EA (épreuve d'artiste) and numbered 1-45, of which 15 are reserved for the Succession Magritte; published and printed by Philippe Moreno, Paris.
Item# 4297

Magritte, Rene
Le séducteur (The Tempter)
Lithograph. 24 3/4 in x 19 3/4 in (62.9 cm x 50.2 cm). Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici with the ADAGP blindstamp.. Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte); published and printed by Philippe Moreno, Paris, 2003.
Item# 3844

Rouault, Georges
Christ au Faubourg (Christ in Faubourg) from Passion, 1935
Etching Aquatint. 12 in x 8 3/16 in (30.5 cm x 20.8 cm). This work is hand-signed by Georges-Rouault (Paris, 1871- Paris, 1958) in bluish black ink in the lower right margin; signed and dated in the plate 'GR 1935' in black in the lower left of the image. . Rare, ink-signed progressive proof in black and grey printed on watermarked “verge de Montval” heavy cream colored laid paper; it is our belief that this proof accompanied the edition of 40 black ink impressions (from the total edition of 270).
Item# 2943

Magritte, Rene
L'empire des lumières (The Dominion of Lights)
Lithograph. 25 in x 19 1/2 in (63.5 cm x 49.5 cm). Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici with the ADAGP blindstamp.. Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte); published and printed by Philippe Moreno Paris in 2003.
Item# 4119

Magritte, Rene
La race blanche (The White Race)
Lithograph. 26 1/2 in x 19 3/4 in (67.3 cm x 50.2 cm). Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici with the ADAGP blindstamp.. Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte); published and printed by Philippe Moreno Paris in 2003.
Item# 3114

Magritte, Rene
Le retour (Return)
Lithograph. 25 1/8 in x 19 3/8 in (63.8 cm x 49.2 cm). Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici.. Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte); published and printed by Philippe Moreno Paris in 2003.
Item# 4225

Magritte, Rene
La voix du sang (The Voice of Blood)
Lithograph. 26 in x 19 3/8 in (66 cm x 49.2 cm). Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici.. Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte); published and printed by Philippe Moreno Paris in 2003.
Item# 3551

Rouault, Georges
Le Vieil Homme Chemine (Old Man Walking), 1936
Etching Aquatint. 12 5/8 in x 8 7/8 in (32.1 cm x 22.5 cm). Hand-signed by Georges-Rouault (Paris, 1871- Paris, 1958) in bluish black ink in the lower right margin; signed and dated in the plate 'GR 1935' in black in the lower left of the image. . Rare, ink-signed progressive proof in black and grey printed on watermarked “verge de Montval” heavy cream colored laid paper; it is our belief that this proof accompanied the edition of 40 black ink impressions (from the total edition of 270).
Item# 2944

Magritte, Rene
Les valeurs personelles (Personal Values)
Lithograph. 24 3/4 in x 19 3/4 in (62.9 cm x 50.2 cm). Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici.. Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte); published and printed by Philippe Moreno Paris in 2003.
Item# 4123

Agam, Yaacov
Multi-Mag Rhythm, c. 1990
Serigraph. 29 in x 29 in (73.7 cm x 73.7 cm). This work is hand-signed by Yaacov Agam (Rishon LeZion, 1928-) in the lower left margin. . Numbered 170/180 in ink in the lower left.
Item# 2024

van Dyck, Anthony
Antonius Bourbonius (Antoine de Bourbon), c. 1645
Engraving. 10 3/8 in x 7 1/2 in (26.4 cm x 19.1 cm). Signed in the plate 'Antonius van dyck pinxit' in the lower left; also signed 'Petrus de Ballu sculpsit" in the lower center. . A Mauquoy-Hendrickx State IV (of IV) engraved by Petrus de Ballu in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641).
Item# 3707

van Dyck, Anthony
Paul Pontius (Paulus Pontius), c. 1645
Engraving. 9 5/8 in x 7 1/8 in (24.4 cm x 18. 1 cm). Signed in the plate 'Ant. van Dyck pinxcit' in the lower left; also signed 'Paul. Pontius fculp' in the lower left. . A Mauquoy-Hendrickx State VI (of VI) engraved by Paulus Pontius (Antwerp, 1603 - Antwerp, 1658) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with a partial unidentified watermark.
Item# 3708

van Dyck, Anthony
Andreas Van Ertvelt (André Van Eertvelt)
Engraving. 9 3/4 in x 6 3/4 in (24.8 cm x 17.1 cm). Signed in the plate 'Ant. van Dyck pinxit,' in the lower left; also signed "S.a Bolswert fculp" in the lower right. . A Mauquoy-Hendrickx State VI (of VI), engraved by S.a Bolswert (Bolswert, 1586 - Antwerp, 1659) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641).
Item# 3709

Magritte, Rene
Le printemps (Spring)
Lithograph. 23 7/8 in x 19 5/8 in (60.7 cm x 49.9 cm). Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici with the ADAGP blindstamp.. Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte); published and printed by Philippe Moreno Paris in 2003.
Item# 3126

van Dyck, Anthony
Albert de Ligne Arenberg, c. early 1700s
Engraving. 9 7/8 in x 7 3/16 in (25.1 cm x 18.3 cm). Signed in the plate 'Ant. van Dyck pinxit' in the lower center; also signed 'S.a Bolfwert fculp.' in the lower left. . A Mauquoy-Hendrickx State VI (of VI) engraved by S.a Bolswert (Bolswert, 1586 - Antwerp, 1659) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with the Letters KIK watermark (Mauquoy-Hendrickx no. 337), dating the piece to the early 1700s.
Item# 3684

Vlaminck, Maurice de
Nelle-la-Vallée, le Chemin aux Bords du Sausseron
Lithograph. 9 1/2 in x 7 1/2 in (24 cm x 19.4 cm). This work is hand-signed by Maurice de Vlaminck (Paris, 1876- Rueil-la-Gadeliere, 1958) in pencil in the lower right margin. . A State I a (of II e) impression printed on Japon paper.
Item# 3210

van Dyck, Anthony
Margareta Princeps Lotharingia Ducissa (Marguerite de Lorraine), c. 1645
Engraving. 9 3/4 in x 7 1/8 in (24.8 cm x 18.1 cm). Signed in the plate 'Ant. van Dyck pinxit' in the lower left.. A Mauquoy-Hendrickx State IV (of IV) from the Giles Hendrickx edition, engraved by S.a Bolswert (Bolswert, 1586 - Antwerp, 1659) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641).
Item# 3664

Magritte, Rene
Le dernier cri (The Last Word)
Lithograph. 24 3/4 in x 19 3/4 in (62.9 cm x 50.2 cm). Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici with the ADAGP blindstamp.. Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte); published and printed by Philippe Moreno Paris in 2003.
Item# 4576

Rodin, Auguste
La Ronde, 1883-1884
Etching. 9 in x 7 in (22.9 cm x 17.9 cm). . According to Thorson, this piece is a state 3 (of 3) impression published in L'Art et les Artistes (Art and Artists). Monogrammed in the lower right 'AA' in the plate.
Item# 3349

Magritte, Rene
La folie des grandeurs II ( Megalomania)
Lithograph. 23 7/16 in x 19 5/8 in (59.6 cm x 49.8 cm). Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici.. Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte); published and printed by Philippe Moreno Paris in 2003.
Item# 2868

Kollwitz, Käthe
Beratung (Conspiracy), c. 1893-1897
Lithograph. 10 3/4 in x 6 1/2 in (27.4 cm x 16.8 cm). . According to Knesebeck, this work is a State B impression, from the editions by von der Becke as of 1931, printed in brown-black on copperplate paper.
Item# 3209

van Dyck, Anthony
Petrus Stevens (Pierre Stevens), c. 1645
Engraving. 7 1/8 in x 6 3/16 in (18.1 cm x 15.7 cm). Signed in the plate 'Ant. van Dyck pinxcit' in the lower left; also signed 'Vorsterman fculp' in the lower left. . A Mauquoy-Hendrickx State VIII (of VIII) engraved by Lucas Vorsterman (Zaltbommel, 1595 - Antwerp, 1675) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with a partial unidentified watermark.
Item# 3706

van Dyck, Anthony
Wenceslas Coeberger, c. 1675-1690
Engraving. 9 3/8 in x 7 1/16 in (23.8 cm x 17.9 cm). Signed in the plate 'Ant. van Dyck pinxit', in the lower left; also signed 'L. Vorstermans fculpsit' in the lower right. . A Mauquoy-Hendrickx State VI (of VI), engraved by Lucas Vorsterman (Zaltbommel, 1595 - Antwerp, 1675) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with the Polish shield with Fleur de Lys and Crown watermark (Mauquoy-Hendrickx no. 171 or 172) dating the piece to c. 1675-1690.
Item# 3659

van Dyck, Anthony
Theodorus Vanlonius (Théodore Vanloon), c. 1680-1690
Engraving. 9 11/16 in x 6 7/8 in (24.6 cm x 17.5 cm). Signed in the plate 'Ant. van Dyck pinxit', in the lower left; also signed 'Paul. du Pont fculp.' in the lower left. . A Mauquoy-Hendrickx State VI (of VI), engraved by Paulus Pontius (Antwerp, 1603 - Antwerp, 1658) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with the Arms of Amsterdam with Letters WHC watermark (Mauquoy-Hendrickx no. 222) dating the piece to c. 1680-1690.
Item# 3658

van Dyck, Anthony
Antonis Cornelissen (Antoine Cornelissen), c. 1641
Engraving. 9 1/4 in x 6 in (23.5 cm x 15.2 cm). Signed in the plate 'Ant. van Dyck pinxcit', in the lower left; also signed "Vorsterman fculp" in the lower left. . A Mauquoy-Hendrickx State V (of X) before the Giles Hendrickx edition, engraved by Lucas Vorsterman (Zaltbommel, 1595 - Antwerp, 1675) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641).
Item# 3623

van Dyck, Anthony
D. Kenelmus Digbi Eqves (Kenelm Digby), c. 1645
Engraving. 10 in x 7 7/8 in (25.4 cm x 20 cm). Signed in the plate 'Ant. van Dyck pinxit', in the lower left; also signed 'R.V. Vorst. fculp' in the lower left. . A Mauquoy-Hendrickx State V (of V), engraved by R.V. Vorst in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641).
Item# 3710

Magritte, Rene
L'entree en scene (The emergence)
Lithograph. 20 in x 14 in (50.8 cm x 35.6 cm). Facsimile signed 'Magritte' in graphite color in the lower right margin, and also initialed in pencil by Charley Herscovici, President of the Fondation Magritte and of the ADAGP. . Numbered 204/275 in pencil in the lower left margin; aside from 45 artist's proofs labeled EA (épreuve d'artiste) and numbered 1-45, of which 15 are reserved for the Succession Magritte; published and printed by Philippe Moreno, Paris.
Item# 3976

van Dyck, Anthony
Thomas Willeborts Bosschaert, c. 1645

Engraving. 10 1/8 in x 7 in (25.7 cm x 17.8 cm). . A Mauquoy-Hendrickx State III (of IV) engraved by Theodore Kessel (1620 - 1660 ) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641) printed on a fine paper with a partial unidentified watermark.
Item# 3712

Miro, Joan
Flux de l'Aimant V (Magnetic Flow No. 5), 1964
Etching. 24 in x 19 7/8 in (61 cm x 50.5 cm). This work is initialed 'M' by Joan Miró (Barcelona, 1893 - Palma, 1983) in pencil in the lower right.. Numbered from the edition of 75 in pencil in the lower left [from the total edition of 95 copies (75 signed and numbered on Rives vellum paper; 20 copies annotated H.C. numbered I to XX)]; published by Maeght éditeur, Paris and printed by Maeght, Levallois-Perret.
Item# 2969

van Dyck, Anthony
Christian, Duke of Brunswick and Lüneburg, c. 1645
Engraving. 9 3/4 in x 7 in (24.8 cm x 17.8 cm). Signed in the plate 'Ant. van Dyck pinxit', in the lower left; also signed 'Robertus van Voerst fculpsit' in the lower right. . A Mauquoy-Hendrickx State II (of II), engraved by Robertus van Voerst (1597-1636) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641).
Item# 3767

van Dyck, Anthony
Michel Le Blon, c. 1645
Engraving. 11 1/4 in x 7 1/4 in (28.6 cm x 18.4 cm). Signed in the plate 'Cavallier van D?c pinxit' in the lower left; also signed "Theo: Matham fculpsit" in the lower right.. A Mauquoy-Hendrickx State VI (of VI), engraved by Theodor Matham (1589 - ?) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on fine paper with an unidentified watermark.
Item# 3741

van Dyck, Anthony
Sebastianus Vrancx (Sébastien Vrancx), c. 1645
Engraving. 9 3/4 in x 6 3/8 in (24.8 cm x 16.2 cm). Signed in the plate 'Ant. van Dyck pinxit', in the lower left; also signed "S.a Bolswert fculp" in the lower left. . A Mauquoy-Hendrickx State V (of V) from the Giles Hendrickx edition, engraved by S.a Bolswert (Bolswert, 1586 - Antwerp, 1659) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with a partial unidentified watermark.
Item# 3669

Agam, Yaacov
Ends Joined from The Evolution Suite #3, 1995
Original Color Agamograph. 14 1/2 in x 14 1/2 in (36.8 cm x 36.8 cm). . This work is from an unsigned and unnumbered edition (aside from the edition of 25 Artist's Proofs).
Item# 3701

van Dyck, Anthony
Jacobus de Cachopin (Jacques de Cachiopin), c. 1645-1650
Engraving. 9 1/2 in x 7 in (24.1 cm x 17.8 cm). Signed in the plate 'Ant. van Dyck pinxcit', in the lower left; also signed "Vorsterman fculp" in the lower left. . A Mauquoy-Hendrickx State VI (of VI) from the Giles Hendrickx edition, engraved by Lucas Vorsterman (Zaltbommel, 1595 - Antwerp, 1675) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with the Foolscap with Five Pointed Collar watermark (Mauquoy-Hendrickx no. 73) dating the piece to c. 1645-1650.
Item# 3670

van Dyck, Anthony
Joannes Livens (Jean Lievens), c. 1700
Engraving. 9 3/4 in x 6 1/4 in (24.8 cm x 15.9 cm). Signed in the plate 'Ant. van Dyck pinxit', in the lower left; also signed "Vorsterman fculp" in the lower left. . A Mauquoy-Hendrickx State VI (of VI), engraved by Lucas Vorsterman (Zaltbommel, 1595 - Antwerp, 1675) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641). Printed on a fine paper with the grapes watermark (Mauquoy-Hendrickx 309), dating the piece to the late 1600s- early 1700s.
Item# 3671

van Dyck, Anthony
Eerryk De Putte dit Erycius Puteanus, c. 1675
Engraving. 8 3/4 in x 6 3/4 in (22.2 cm x 17.1 cm). Signed in the plate 'Ant. van Dyck pinxit' in the lower left; also signed 'Pet. de Iode fculp' in the lower left. . A Mauquoy-Hendrickx State VI (of VI) engraved by Pieter de Jode (Antwerp, 1606 - Antwerp, 1674) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with the Foolscap with Seven Pointed Collar watermark (Mauquoy-Hendrickx no. 135), dating the piece to c. 1675.
Item# 3672

van Dyck, Anthony
D. Nicolaus Fabricius de Peirese (Nicolas-Claude Fabri de Peiresc), c. early 1700s
Engraving. 9 1/2 in x 6 1/4 in (24.1 cm x 15.9 cm). Signed in the plate 'Ant. van Dyck pinxcit' in the lower left; also signed 'Vorsterman fculp.' in the lower left. . A Mauquoy-Hendrickx State VI (of VI) engraved by Lucas Vorsterman (Zaltbommel, 1595 - Antwerp, 1675) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with the Letters KIK watermark (Mauquoy-Hendrickx no. 337), dating the piece to the early 1700s.
Item# 3673

Miro, Joan
Flux de l'Aimant VII (Magnetic Flow No. 7), 1964
Etching. 24 in x 19 7/8 in (61 cm x 50.5 cm). This work is initialed 'M' by Joan Miró (Barcelona, 1893 - Palma, 1983) in pencil in the lower right.. Numbered from the edition of 75 in pencil in the lower left [from the total edition of 95 copies (75 signed and numbered on Rives vellum paper; 20 copies annotated H.C. numbered I to XX)]; published by Maeght éditeur, Paris and printed by Maeght, Levallois-Perret.
Item# 2967

van Dyck, Anthony
Simon de Vos, c. 1641
Engraving. 9 1/2 in x 6 1/8 in (24.1 cm x 15.6 cm). Signed in the plate 'Ant. van Dyck Pinxcit', in the low er left; also signed "Paul du Pont fculp" in the lower left.. A Mauquoy-Hendrickx State VI (of VIII) before the Giles Hendrickx edition, engraved by Paul du Pont (Antwerp, 1603 - Antwerp, 1658) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641).
Item# 3675

Miro, Joan
Flux de l'Aimant VI (Magnetic Flow No. 6), 1964
Etching. 24 in x 19 7/8 in (61 cm x 50.5 cm). This work is initialed 'M' by Joan Miró (Barcelona, 1893 - Palma, 1983) in pencil in the lower right.. Numbered from the edition of 75 in pencil in the lower left [from the total edition of 95 copies (75 signed and numbered on Rives vellum paper; 20 copies annotated H.C. numbered I to XX)]; published by Maeght éditeur, Paris and printed by Maeght, Levallois-Perret.
Item# 2968

van Dyck, Anthony
Ernestine, Princess de Ligne, c. 1645
Engraving. 10 1/2 in x 7 9/16 in (26.7 cm x 19.2 cm). Signed in the plate 'Antonius van Dyck pinxit' in the lower left; also signed 'Michael Natalis sculpsit' in the lower center. . A Mauquoy-Hendrickx State III (of III), engraved by Michael Natalis in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641).
Item# 3667

van Dyck, Anthony
Petrus de Iode, c. 1645
Engraving. 10 in x 6 1/2 in (25.4 cm x 16.5 cm). Signed in the plate 'Ant. van Dyck Pinxcit', in the lower left; also signed 'Vorsterman fculp' in the lower left. . A Mauquoy-Hendrickx State V (of VIII) before the Giles Hendrickx edition, engraved by Lucas Vorsterman (Zaltbommel, 1595 - Antwerp, 1675) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641).
Item# 3622

Castiglione, Giovanni Benedetto
Man Wearing a Small Turban Ornamented with Plumes and Ribbon, Facing Right
Etching. 4 1/4 in x 3 1/4 in (10.8 cm x 8.3 cm). This work is signed (in monogram) in the plate in the upper right 'G Castiglione Genovese.'. From the first and only state; this etching belongs to the series known as the "Small Studies of Heads in Oriental Headdress." Unidentified pencil marks on verso; 2 unidentified collectors' stamps on verso stamped over in black and one unid
Item# 3335

van Dyck, Anthony
Francisco de Moncada, c. 1641
Engraving. 10 1/2 in x 7 in (26.7 cm x 17.8 cm). Signed in the plate 'D.A. Van Dyck Eques Pinxit' in the lower right; also signed 'Vorsterman fculpsit' in the lower right of the portrait.. A Mauquoy-Hendrickx State V (of VIII) before the Giles Hendrickx edition, engraved by Lucas Vorsterman (Zaltbommel, 1595 - Antwerp, 1675) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641).
Item# 3703

van Dyck, Anthony
Gaston de France, Duke of Orléans, c. 1675
Engraving. 9 1/8 in x 6 5/8 in (23.2 cm x 16.8 cm). Signed in the plate 'Ant. van Dyck pinxit', in the lower center; also signed "Vorsterman fculp." in the lower left. . A Mauquoy-Hendrickx State VI (of VI), engraved by Lucas Vorsterman (Zaltbommel, 1595 - Antwerp, 1675) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with a partial Foolscap with Seven Pointed Collar watermark (Mauquoy-Hendrickx no. 135), dating the piece to c. 1675.
Item# 3724

van Dyck, Anthony
Cornelius de Vos (Corneille de Vos), c. 1645 - 1650
Engraving. 9 3/4 in x 6 1/4 in (24.8 cm x 15.8 cm). Signed in the plate 'Ant. Van Dyck pinxit' in the lower left; also signed 'Vorsterman fculp' in the lower left. . A Mauquoy-Hendrickx State VI (of VI) engraved by Lucas Vorsterman (Zaltbommel, 1595 - Antwerp, 1675) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641). Printed on a fine paper with a partial Two Interlaced Cs watermark (similar to Mauquoy-Hendrickx no. 7), dating this piece to c. 1645 - 1650.
Item# 3729

van Dyck, Anthony
Cesar Alexander Scaglia (César-Alexandre Scaglia), c. 1654
Engraving. 9 3/4 in x 7 1/4 in (24.8 cm x 18.4 cm). Signed in the plate 'Ant. van Dyck pinxit' in the lower center; also signed 'P. Pontius fculp' in the lower left. . A Mauquoy-Hendrickx State VIII (of VIII) engraved by Paulus Pontius (Antwerp, 1603 - Antwerp, 1658) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with a partial Foolscap with a Seven Pointed Collar and Three Balls watermark (Mauquoy-Hendrickx no. 126), dating the piece to c. 1654.
Item# 3728

van Dyck, Anthony
Alvaro de Bazan, c. 1645
Engraving. 9 1/4 in x 6 1/2 in (23.5 cm x 16.5 cm). Signed in the plate 'Ant. van Dyck pinxit' in the lower center; also signed 'Paul Pontius fculp' in the lower left. . A Mauquoy-Hendrickx State V (of V) engraved by Paulus Pontius (Antwerp, 1603 - Antwerp, 1658) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641).
Item# 3711

van Dyck, Anthony
Jacobus Jordaens (Jacques Jordaens) c. 1675 - 1685
Engraving. 9 1/2 in x 6 13/16 in (24.1 cm x 17.3 cm). Signed in the plate 'Ant. van Dyck pinxit' in the lower left; also signed 'Pet. de Iode fculp' in the lower left. . A Mauquoy-Hendrickx State VI (of VI) engraved by Pieter de Jode (Antwerp 1606 - Antwerp, 1674) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with the Foolscap with Seven Pointed Collar watermark (Mauquoy-Hendrickx no. 138), dating the piece to c. 1675 - 1685.
Item# 3717

van Dyck, Anthony
Theodorus Galle (Théodore Galle), c. 1641
Engraving. 9 1/4 in x 6 1/8 in (23.5 cm x 15.6 cm). Signed in the plate 'Ant. van Dyck pinxcit', in the lower left; also signed "Vorsterman fculp" in the lower left. . A Mauquoy-Hendrickx State IV (of VI) before the Giles Hendrickx edition, engraved by Lucas Vorsterman (Zaltbommel, 1595 - Antwerp, 1675) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641).
Item# 3620

Yvaral, Jean Pierre Vasarely
Star (Marilyn Monroe), c. 1990
Serigraph. 24 in x 24 in (61 cm x 61 cm). This work is hand signed by Yvaral (Jean Pierre Vasarely, the son of Victor Vasarely) (Paris, 1934- Paris, 2002) in pencil in the lower right margin. . Numbered 1/100 in pencil in the lower left margin.
Item# 3644

van Dyck, Anthony
Gerardus Segers (Gérard Seghers), c. 1680-1690
Engraving. 9 1/2 in x 7 in (24.1 cm x 17.8 cm). Signed in the plate 'Ant. van Dyck pinxcit', in the lower left; also signed "Paul. du Pont fculp." in the lower left.. A Mauquoy-Hendrickx State VI (of VI), engraved by Paulus Pontius (Antwerp, 1603 - Antwerp, 1658) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with the Arms of Amsterdam with Letters WHC watermark (Mauquoy-Hendrickx no. 222) dating the piece to c. 1680-1690.
Item# 3668

van Dyck, Anthony
Théodore Van Tulden, c. 1700
Engraving. 10 9/16 in x 6 7/8 in (26.8 cm x 17.5 cm). Signed in the plate 'Ant. van Dyck pinxit' in the lower left; also signed 'Pet. de Iode fculp' in the lower left. . A Mauquoy-Hendrickx State VII (of VII) engraved by Pieter de Jode (Antwerp, 1606 - Antwerp, 1674) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with the Three Crescents watermark (Mauquoy-Hendrickx no. 314), dating the piece to c. the late 1600s - early 1700s.
Item# 3657

van Dyck, Anthony
Cornelius Vander Geest (Corneille Van der Geest), c. 1641
Engraving. 9 5/8 in x 7 in (24.4 cm x 17.8 cm). Signed in the plate 'Ant. van Dyck pinxcit' in the lower left.. A Mauquoy-Hendrickx State II (of VI) before the Giles Hendrickx edition, engraved by Paulus Pontius (Antwerp, 1603 - Antwerp, 1658) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with a partial unidentified watermark.
Item# 3681

Callot, Jacques
The Martyrdom of Saint Sebastian, c. 1634
Engraving. 12 13/16 in x 6 1/3 in (32.7 cm x 16.1 cm). Signed in the plate in the lower right 'Callot Jn'. Printed on a fine laid paper with an unidentified flower and pitcher watermark; annotated 'P. Mariette le fils excud.' in the lower right.
Item# 3052

Callot, Jacques
St. Mansuetus Restoring Life to the Son of Leucorus, c. 1622 - 1627
Engraving. 10 3/4 in x 9 in (27.3 cm x 22.9 cm). Signed in the plate in the lower left 'Callot'.
Item# 3783

Callot, Jacques
St. Amand, c. 1622
Engraving. 11 in x 7 3/4 in (28 cm x 19.7 cm). Signed in the plate in the lower left 'Ja. Callot f'.
Item# 3782

Callot, Jacques
The Fair at Gondreville, c. 1624-25
Engraving. 13 1/4 in x 7 1/8 in (33.7 cm x 18.1 cm). Signed in the plate in the lower left 'Ja. Callot fe. Nanceij' .
Item# 3781

Manet, Edouard
Berthe Morisot
Etching. 4 11/16 in x 3 1/8 in (11.9 cm x 7.9 cm). . According to J. Harris (1990), a 3rd state (of 3) impression, printed after cancellation (although the cancellation marks are very faint). This work was printed after the 1905 catalogue by Strölin.
Item# 3167

Agam, Yaacov
Blue Paradise, c. 1990
Serigraph. 31 1/2 in x 26 1/2 in (80 cm x 67.3 cm). This work is hand-signed by Yaacov Agam (Rishon LeZion, 1928-) in yellow at the lower right.. Numbered 30/180 in ink at the lower left.
Item# 3702

Agam, Yaacov
Untitled, c. 1990
Original Color Multiple Screened Object. 15 5/8 in x 15 1/2 in (39.7 cm x 39.4 cm). This work is hand signed by Yaacov Agam (Rishon LeZion, 1928 - ) in silver marker in the lower right margin on black mat that is incorporated into the work. . Numbered 128/180 in silver marker in the lower left margin on black mat that is incorporated into the work.
Item# 3293

Callot, Jacques
The Martyrdom of Saint Sebastian, c. 1634
Engraving. 12 13/16 in x 6 1/3 in (32.7 cm x 16.1 cm). Signed in the plate in the lower right 'Callot Jn et fec.'. Printed on a fine paper with an unidentified watermark (intertwined C's with a crown, cross, and dagger).
Item# 3051

van Dyck, Anthony
Constantin Huygens, c. 1675
Engraving. 9 7/8 in x 6 7/8 in (25.1 cm x 17.5 cm). Signed in the plate 'Ant. van dyck pinxit' in the lower left; also signed 'Paul. Pontius fculp' in the plate in the lower left of the image. . A Mauquoy-Hendrickx State VI (of VI) engraved by Paulus Pontius (Antwerp, 1603 - Antwerp, 1658) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with the Foolscap with Seven Pointed Collar watermark (Mauquoy-Hendrickx no. 132), dating the piece to c. 1675.
Item# 3721

van Dyck, Anthony
Palamedes Palamedesz, c. early 1700s
Engraving. 9 3/8 in x 6 5/8 in (23.8 cm x 16.8 cm). Signed in the plate 'Ant. van Dyck pinxcit' in the lower left; also signed 'Paul. Pontius fculp.' in the lower left. . A Mauquoy-Hendrickx State VII (of VII) engraved by Paulus Pontius (Antwerp, 1603 - Antwerp, 1658) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with the Letters KIK watermark (Mauquoy-Hendrickx no. 337), dating the piece to the early 1700s.
Item# 3661

Beham, Hans Sebald
Dialectic from The Liberal Arts
Engraving. 3 1/2 in x 2 1/16 in (8.9 cm x 5.2 cm). Monogrammed 'HSP' in the lower right..
Item# 3779

Beham, Hans Sebald
Triton and Nereid
Engraving. 2 in x 1 1/2 in (5.1 cm x 3.8 cm). Monogrammed 'HSP' in the lower left..
Item# 3778

van Dyck, Anthony
Ambroise Spinola, c. 1660
Engraving. 10 1/4 in x 7 in (26 cm x 17.8 cm). Signed in the plate 'Ant. van Dyck pixit' in the lower center; also signed 'Vorsterman fculp.' in the lower left. . A Mauquoy-Hendrickx State V (of V) engraved by Lucas Vorsterman (Zaltbommel, 1595 - Antwerp, 1675) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with a partial Lamb of God in a Crowned Shield watermark (Mauquoy-Hendrickx no. 276), dating this piece to c. 1660.
Item# 3727

van Dyck, Anthony
Cornelius Poelenbourch (Corneille Van Poelenburg), c. 1660 - 1670
Engraving. 9 1/16 in x 6 1/2 in (23 cm x 16.5 cm). Signed in the plate 'Ant. Van Dyck pinxit' in the lower left; also signed 'Petrus de Iode fculpsit' in the lower left. . A Mauquoy-Hendrickx State VIII (of VIII), engraved by Pieter de Jode (Antwerp, 1606 - Antwerp, 1674) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641). Printed on a fine paper with a partial Arms of Amsterdam watermark (Mauquoy-Hendrickx 218), dating this piece to c. 1660 - 1670.
Item# 3726

van Dyck, Anthony
Adrianus Stalbent (Adrien Van Stalbemt), c. 1641
Engraving. 9 5/8 in x 7 in (24.4 cm x 17.8 cm). Signed in the plate 'Ant. van Dyck pinxit' and 'Paul. du pont fculp' in the lower left.. A Mauquoy-Hendrickx State IV (of VII) engraved by Paulus Pontius (Antwerp, 1603 - Antwerp, 1658) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641). Printed on a fine paper with the Shield with Crown and Baton de Bale watermark (Mauquoy-Hendrickx no. 203), dating this piece to before 1645.
Item# 3738

van Dyck, Anthony
Joannes Wildens (Jean Wildens), c. 1660
Engraving. 9 3/8 in x 7 in (23.8 cm x 17.8 cm). Signed in the plate 'Ant. van Dyck pinxit', in the lower left; also signed 'Paul du Pont fculp' in the lower left. . A Mauquoy-Hendrickx State VII (of VII) engraved by Paulus Pontius (Antwerp, 1603 - Antwerp, 1658) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on fine paper with the Foolscap with Seven Pointed Collar watermark (Mauquoy-Hendrickx no. 123), dating the piece to c. 1660.
Item# 3739

van Dyck, Anthony
Henricus Steenwyck (Henri Van Steenwyck), c. 1641
Engraving. 9 7/8 in x 7 1/8 in (25.1 cm x 18.1 cm). Signed in the plate 'Ant. Van Dyck pinxit' in the lower left.. A Mauquoy-Hendrickx State III (of VII) engraved by Paulus Pontius (Antwerp, 1603 - Antwerp, 1658) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641).
Item# 3740

Fantin-Latour, Henri
Ariane
Lithograph. 6 1/4 in x 4 3/4 in (15.9 cm x 12.1 cm). . Annotated 'ARIANE | Lithographie originale par M. FANTIN-LATOUR | Gazette des Beaux-Arts | Imp. d'Art, A. Clot, Paris' in the lower margin.
Item# 3040

Callot, Jacques
S. Hieronimus from The Penitent, c. 1632
Engraving. 2 1/2 in x 1 5/8 in (5.7 cm x 4.1 cm). Signed in the plate in the lower left 'Callot fe.' and 'Israel ex.' .
Item# 3777

van Dyck, Anthony
Richard Weston, 1st Earl of Portland, c. 1675
Engraving. 9 1/2 in x 7 5/8 in (24. 1 cm x 19.4 cm) . Signed in the plate 'Antonius van Dyck pinxit' in the lower left; also signed 'Ioannes Meysfens excudit' in the lower right. . A Mauquoy-Hendrickx State I (of III) engraved by Jan Meyssens (1612 - 1670) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with the Arms of Amsterdam watermark (Mauquoy-Hendrickx no. 211), dating this piece to c. 1675.
Item# 3722

van Dyck, Anthony
Jean Waverius (Jean Van Den Wouwer), c. 1665 - 1675
Engraving. 9 3/8 in x 6 in (23.8 cm x 15.2 cm). Signed in the plate 'Anton. van Dyck pinxit', in the lower left; also signed "Paul. Pontius fculpsit" in the lower right. . A Mauquoy-Hendrickx State IX (of IX), engraved by Paulus Pontius (Antwerp, 1603 - Antwerp, 1658) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on fine paper with a partial Foolscap with Seven Pointed Collar watermark (Mauquoy-Hendrickx no. 115), dating the piece to c. 1665 - 1675.
Item# 3725

van Dyck, Anthony
Ernest de Mansfeld, c. 1654
Engraving. 9 1/2 in x 6 3/4 in (24.1 cm x 17.1 cm). Signed in the plate 'Ant. van Dyck pinxcit' in the lower left; also signed 'Robertus van Voerst sculpsit' in the lower right. . A Mauquoy-Hendrickx State II (of II) engraved by Robertus van Voerst in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with the Foolscap with Seven Pointed Collar and Three Balls watermark (Mauquoy-Hendrickx no. 126), dating the piece to c. 1654.
Item# 3674

van Dyck, Anthony
Daniel Mytens, c. 1675
Engraving. 9 15/16 in x 7 1/4 in (25.2 cm x 18.4 cm). Signed in the plate 'Ant. van Dyck pinxit' in the lower left; also signed 'Paul du Pont fculp' in the lower left. . A Mauquoy-Hendrickx State IX (of IX) engraved by Paulus Pontius (Antwerp, 1603 - Antwerp, 1658) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with a partial Arms of Amsterdam watermark (Mauquoy-Hendrickx no. 217), dating the piece to c. 1675.
Item# 3720

van Dyck, Anthony
Quintinus Simons (Quentin Simons), c. 1675
Engraving. 10 5/8 in x 7 3/4 in (27 cm x 20 cm). Signed in the plate 'Ant. van Dyck pinxit' in the lower left; also signed 'Pet. de Iode fculp' in the lower right. . A Mauquoy-Hendrickx State III (of IV) engraved by Pieter de Jode (Antwerp, 1606 - Antwerp, 1674) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with a partial Foolscap with Seven Pointed Collar watermark (Mauquoy-Hendrickx no. 135), dating the piece to c. 1675.
Item# 3719

van Dyck, Anthony
Robertus Van Voerst (Robert Van Voerst), c. 1675
Engraving. 9 1/4 in x 6 1/2 in (23.5 cm x 16.5 cm). Signed in the plate 'Ant. van Dyck pinxit', in the lower left; also signed 'R.V. Vorst. fculp' in the lower left. . A Mauquoy-Hendrickx State VI (of VI), engraved by R.V. Vorst in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with a partial Foolscap with Seven Pointed Collar watermark (Mauquoy-Hendrickx no. 135), dating the piece to c. 1675.
Item# 3723

van Ostade, Adriaen
The Pig Killers, c. 1642
Etching. 4 5/8 in x 4 1/2 in (11.8 cm x 11.6 cm). This work is signed in the plate in the lower left hand side of the work 'A. Ostade'.. From State VIII (of VIII).
Item# 3317

van Dyck, Anthony
Theodorus Rombouts (Théodore Rombouts), early 1700s
Engraving. 9 1/2 in x 6 1/4 in (24.1 cm x 15.9 cm). Signed in the plate 'Ant. van Dyck pinxit', in the lower left; also signed "Paul du Pont fculp" in the lower left. . A Mauquoy-Hendrickx State VII (of VII), engraved by Paul du Pont (Antwerp, 1603 - Antwerp, 1658) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with the Heart in a Sequence of Letters watermark, dating this piece to the c. early 1700s.
Item# 3750

The School of Rembrandt,
The Angel Departing from the Family of Tobias
Etching. 6 1/4 in x 4 in (15.9 cm x 10.2 cm). . This etching is a 17th century copy of the original etching by Rembrandt from 1641. The image has been printed in mirror image to the original; with several miscellaneous pencil notations on the reverse from prior collectors.
Item# 2441

van Dyck, Anthony
Martinus Pepyn (Martin Pepyn), c. 1675-1690
Engraving. 9 5/8 in x 6 1/8 in (24.4 cm x 15.6 cm). Signed in the plate 'Ant. van Dyck pinxit', in the lower left; also signed 'S.a Bolfwert fculp" in the lower left. . A Mauquoy-Hendrickx State VII (of VII), engraved by S.a Bolswert (Bolswert, 1586 - Antwerp, 1659) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with the Polish shield with Fleur de Lys and Crown watermark (Mauquoy-Hendrickx no. 171 or 172) dating the piece to c. 1675-1690.
Item# 3716

van Dyck, Anthony
Simon Vouet, c. 1645
Engraving. 9 1/2 in x 6 5/8 in (24.1 cm x 16.8 cm). Signed in the plate 'Ant. van Dyck Pinxcit', in the lower left; also signed "R.V. Vorst fculp" in the lower left. . A Mauquoy-Hendrickx State VII (of VII) from the Giles Hendrickx edition, engraved by R.V. Vorst in collaboration with by Anthony van Dyck (Antwerp, 1559 - London, 1641).
Item# 3621

van Dyck, Anthony
Adam de Coster, c. 1685
Engraving. 9 1/4 in x 6 9/16 in (23.5 cm x 16.7 cm). Signed in the plate 'Ant. van Dyck pinxit' in the lower left; also signed 'Petrus de Iode fculpsit' in the lower left. . A Mauquoy-Hendrickx State VI (of VI) engraved by Pieter de Jode (Antwerp, 1606 - Antwerp, 1674) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with a partial Arms of Amsterdam watermark (Mauquoy-Hendrickx no. 220), dating the piece to c. 1685.
Item# 3715

Callot, Jacques
Birth of the Virgin from Life of the Virgin, c. 1632 - 1633
Engraving. 2 3/4 in x 1 3/4 in (7 in x 4.4 cm). Signed in the plate in the lower left 'Callot fecit' and in the lower right 'Israel excudit.' .
Item# 3742

van Dyck, Anthony
Guilielmus Hondius (Guillaume Hondius), c. early 1700s
Engraving. 9 3/4 in x 6 3/4 in (24.8 cm x 17.1 cm). Signed in the plate 'Ant. van Dyck pinxit' in the lower center; also signed 'Guil. Hondius fculp.' in the lower left. . A Mauquoy-Hendrickx State VI (of VI) engraved by Guillaume Hondius (La Hayes, 1597 - Dantzig (?) c. 1648) in collaboration with Anthony van Dyck (Antwerp 1559 - London, 1641); printed on a fine paper with the Polish Shield with a Fleur de Lys and Crown watermark (Mauquoy-Hendrickx no. 177), dating the piece to the early 1700s. ,
Item# 3714

van Dyck, Anthony
Alexander Della Faille, c. early 1700s
Engraving. 11 1/8 in x 7 3/4 in (28.3 cm x 19.7 cm). Signed in the plate 'Anton van Dyck pinxit' in the lower left; also signed 'A. Lommelin fculp.' in the lower right. . A Mauquoy-Hendrickx State IV (of VI) engraved by Adrien Lommelin (1637-1675) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with the Letters KIK watermark (Mauquoy-Hendrickx no. 337), dating the piece to the early 1700s.
Item# 3713

Solis, Virgil
Four Acrobats and a Monkey (from a series of four drinking scenes)
Engraving. 3 5/16 in x 2 in (8.4 cm x 5 cm). This work is monogrammed in the plate with Virgil Solis' initials 'VS' in the upper left. .
Item# 3785

Solis, Virgil
Frieze with Sixteen Birds
Engraving. 6 3/4 in x 1 in (17.1 cm x 2.5 cm). This work is monogrammed in the plate with Virgil Solis' initials 'VS' in the lower right .
Item# 3786

The School of Durer ,
St. Christopher in the Wilderness with a Flight of Birds
Engraving. 8 1/4 in x 5 1/2 in (21 cm x 14 cm). This work is monogrammed in the plate 'AD' in the lower center.. An engraved copy by Marcantonio Raimondi (Argine,1480- Rome,1534) after the original woodcut by Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528).
Item# 3882

van Dyck, Anthony
Deodatus Delmont (Déodat Delmont), c. early 1700s
Engraving. 9 3/16 in x 5 7/8 in (23.3 cm x 14.9 cm). Signed in the plate 'Ant. van Dyck pinxcit' in the lower left; also signed 'Vorsterman fculp.' in the lower left. . A Mauquoy-Hendrickx State VIII (of VIII) engraved by Lucas Vorsterman (Zaltbommel, 1595 - Antwerp, 1675) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641); printed on a fine paper with the Letters KIK watermark (Mauquoy-Hendrickx no. 337), dating the piece to the early 1700s.
Item# 3663

van Dyck, Anthony
Jacobus Callot (Jacques Callot), c. late 1600s-early 1700s
Engraving. 9 1/4 in x 6 3/8 in (23.5 cm x 16.2 cm). Signed in the plate 'Ant. van Dyck pinxcit', in the lower left; also signed "Vorsterman fculp" in the lower left. . A Mauquoy-Hendrickx State V (of V), engraved by Lucas Vorsterman (Zaltbommel, 1595 - Antwerp, 1675) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641). Printed on a fine paper with the grapes watermark (Mauquoy-Hendrickx 312), dating the piece to the late 1600s- early 1700s.
Item# 3662

The School of Durer ,
The Flagellation (The Small Passion)
Woodcut. 5 in x 3 3/4 in (12.7 cm x 9.5 cm). This work is monogrammed in the woodblock 'AD' in the lower center.. A copy by Johann Mommard after the original woodcut by Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528).
Item# 3642

The School of Durer ,
The Lamentation of Christ (The Engraved Passion)
Engraving. 4 1/2 in x 2 3/4 in (11.4 cm x 7 cm). This work is monogrammed and dated with Albrecht Dürer's (Nuremburg 1471- Nuremburg, 1528) signature initials in the plate 'AD' on a slate in the lower right. . A copy in mirror image after the original engraving by Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528).
Item# 3643

The School of Durer ,
Madonna Nursing
Etching. 4 1/2 in x 2 7/8 in (11.4 cm x 7.3 cm). This work is monogrammed and dated with Albrecht Dürer's (Nuremburg, 1471- Nuremburg, 1528) signature initials in the plate 'AD' on a slate in the lower right. . A copy in mirror image after the original engraving by Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528).
Item# 2978

van Dyck, Anthony
Joannes Snellincx (Jean Snellinx), c. 1641
Engraving. 9 1/2 in x 6 1/8 in (24.1 cm x 15.6 cm). Signed in the plate 'Ant. Van Dyck fecit aqua forti', in the lower left. . From a later, finished state of this portrait; before the Hendricx edition.
Item# 3660

The School of Durer ,
Flagellation (from the Engraved Passion)
Engraving. 4 5/8 in x 2 15/16 in (11.8 cm x 7.4 cm). The initials of Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528) 'AD,' are engraved in the plate on a slate in the upper left with the Armand Durand stamp on verso. . This restrike work was created by Armand Durand (1831-1905) after the original engraving by Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528).<
Item# 3054

The School of Van Dyck,
Le Christ au Rosea (Christ Crowned with Thorns), c. 1700s
Engraving. 10 1/4 in x 8 1/4 in (26 cm x 21 cm). Signed in the plate 'Anton. Van Dyck inven' in the lower left; also signed 'Daret. Sculp' in the lower center and 'Mariette ex.' in the lower right. . A copy in reverse after the original engraving by Anthony van Dyck (Antwerp, 1559 - London, 1641).
Item# 3731

Cocteau, Jean
Untitled, c. 1950-59
Painted Metal and Plastic. DIMENSIONS: 11 in x 7 1/2 in (27.9 cm x 19.1 cm). Outer surface of trays signed "Jean Cocteau" twice in white; underside of base molded to read: "TRIPLE LEVEL SERVER" and "PAT. NO. 7205 APP. 729; 730".
Item# 4030

The School of Van Dyck,
Antonius Triest (Antoine Triest), c. 1650 - 1660
Engraving. 9 3/8 in x 6 7/8 in (23.8 cm x 17.5 cm). Signed in the plate 'Ant. van Dyck pinxit' in the lower left; also signed 'Pet. de Ioden fcup' in the lower left. . A copy in reverse after the original engraving by Anthony van Dyck (Antwerp, 1559 - London, 1641). This piece is printed on a fine paper with the Cow in a Shield with Crown watermark (Mauquoy - Hendrickx no. 281), dating this piece to c. 1650 - 1660.
Item# 3730

The School of Durer ,
The Entombment (The Small Passion), c. 1511
Engraving. 5 in x 3 3/4 in (12.7 cm x 9.5 cm). This work is monogrammed in the woodblock 'AD' in the lower left.. An engraved copy after the original woodcut by Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528).
Item# 3985